MétaCan
Menu
Back to cohort

Between Hong Kong and San Francisco: A Transnational Approach to Early Chinese Diasporic Cinema

2019· article· en· W3000983505 on OpenAlexvenueno aff
Zhu Lin

Bibliographic record

VenueJournal of History · 2019
Typearticle
Languageen
FieldSocial Sciences
TopicHong Kong and Taiwan Politics
Canadian institutionsnot available
Fundersnot available
KeywordsDiasporaMovie theaterChinaMainland ChinaPatriotismHistoryPoliticsMedia studiesSociologyGender studiesPolitical scienceArt historyLawArchaeology

Abstract

fetched live from OpenAlex

In recent years the terms “Chinese-language film” or “Sinophone” are often used to refer to a pan-Chinese cinematic culture to reconcile the differences and conflicts in the mainland, Hong Kong, Taiwan, and the Chinese diaspora. Unlike the other three areas that are easily recognized by geo-political borders, Chinese diasporic cinema is of a more conceptual and de-territorialized nature and has been inadequately examined. As early as the mid-1930s, Chinese filmmakers had formed a cross-border, Pacific Rim network for cinematic and cultural exchanges among Chinese diasporic communities. Focusing on Esther Eng 伍錦霞 (1914–1970), a San Francisco-born Chinese female director who produced Cantonese-language films in both the US and Hong Kong from the mid-1930s to the late 1940s, this article revisits a piece of forgotten history of Chinese diasporic cinema. It argues that through Chinese diasporic films, particularly during the height of World War II patriotism, filmmakers like Esther Eng expressed their cultural belonging and fueled cultural intimacy between members of the Chinese diaspora. By observing the flows of talents, ideas, and resources within China and beyond, this article delves into the essence of diasporic film as a “contact zone” for Chinese descendants in and out of the country.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.287
Threshold uncertainty score0.570

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.002
Science and technology studies0.0110.010
Scholarly communication0.0060.004
Open science0.0010.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.019
GPT teacher head0.261
Teacher spread0.242 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations4
Published2019
Admission routes1
Has abstractyes

Explore more

Same venueJournal of HistorySame topicHong Kong and Taiwan PoliticsFrench-language works237,207