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Record W3001090403 · doi:10.3138/ctr.181.002

Applied Theatre and Education: We Are Not-Yet …

2020· article· en· W3001090403 on OpenAlexvenueaboutno aff
Monica Prendergast, Juliana Saxton

Bibliographic record

VenueCanadian Theatre Review · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsMainstreamCurriculumTheatre studiesPoliticsSpace (punctuation)Political theatreField (mathematics)SociologyVisual artsMedia studiesAestheticsPedagogyPolitical scienceDramaArtComputer scienceLaw

Abstract

fetched live from OpenAlex

In this article, we consider the relationship between education and applied theatre, the growth of applied theatre curricula within Canada, the issues that presently we identify as ‘productive tensions,’ and political and social concerns that now frame the ways in which we shape and conduct our practice. Our thoughts and suggestions, while limited by those constraints we offered above, may serve to open a space for discussion on what is and what might be. In our view—looking back over two decades of development in the field of applied theatre programs in Canada—there are a number of tensions that have come into clearer focus as applied theatre has been finding its feet. We see these tensions as productive and offer them not as criticisms but as opportunities to reconsider methodologies in light of a post-dramatic world. Applied theatre programs tend to operate in theatre departments that mostly focus on training for independent careers in text-based mainstream theatre. Such an intention may make it difficult for some who see theatre as a path to careers different from performance and/or production. Certainly, the recent addition of applied theatre to university curricula has revealed some interesting pressures. The division between the hierarchical traditions of theatremaking, with the top-down approach of director-designer-actor-audience, may be beginning to shift with the advent of new thinking. The ways of working that are integral approaches to applied theatremaking require a broader interdisciplinarity of courses than those traditionally offered in departments of theatre.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.012
metaresearch head score (Gemma)0.019
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.832
Threshold uncertainty score0.334

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0120.019
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.002
Science and technology studies0.0160.053
Scholarly communication0.0180.024
Open science0.0020.011
Research integrity0.0060.018
Insufficient payload (model declined to judge)0.0120.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.037
GPT teacher head0.230
Teacher spread0.194 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations7
Published2020
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207