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Record W3014380056 · doi:10.46298/slovo.2019.5236

Andrei Khrzhanovskii’s The Glass Harmonica (1968). Dissent in new forms.

2019· article· en· W3014380056 on OpenAlexaff
Laura Pontieri, Hélène Mélat

Bibliographic record

VenueSlovo · 2019
Typearticle
Languageen
FieldComputer Science
TopicDigital Media and Visual Art
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsDissentStyle (visual arts)HumanitiesArtArt historyPolitical scienceVisual artsLawPolitics

Abstract

fetched live from OpenAlex

Andrei Khrzhanovskii began to study and work on animation in the wake of the more tolerant, although contradictory, spirit that characterized the Khrushchev’s Thaw, during which a few animators began to experiment with new styles and create films on topical issues addressed to an adult public. With The Glass Harmonica Khrzhanovskii ventured to present a harsh critique of the system in a style that clearly departed from the prevailing children-oriented Disney style adopted in the studio Soiuzmul’tfil’m. By proposing a subtle message about the position of the artist in a totalitarian system and endorsing a manner that contrasted with the official and approved style, Khrzhanovskii created a work of art that, despite its exceptional artistic value, could be hardly accepted by the authorities. Andreï Khrjanovski a commencé à étudier l’animation et à réaliser des films dans l’atmosphère plus tolérante, bien qu’ambiguë, qui caractérisait le dégel khrouchtchévien, période pendant laquelle un certain nombre d’animateurs se sont mis à expérimenter de nouveaux styles et à créer des films destinés à un public adulte traitant de problèmes d’actualité. Avec L’Harmonica de verre, Khrjanovski s’est risqué à présenter une critique sévère du système dans un style qui se démarquait clairement du style disneyen adopté par le studio Soïouzmoultfilm dans les dessins animés pour la jeunesse. En proposant un message subtil sur la situation de l’artiste dans un système totalitaire et adoptant un style contrastant avec le style officiel et approuvé, il a créé une œuvre d’art qui, malgré sa qualité exceptionnelle, ne pouvait guère être acceptée par les autorités. Андрей Хржановский начинал работать в анимации еще в атмосфере духа большей толерантности, хотя исполненного противоречий, характеризовавшего хрущевскую Оттепель. В этот период некоторые аниматоры стали экспериментировать с новыми стилями и создавать фильмы для взрослой аудитории, обращенные к актуальным вопросам на злобу дня. Со своей Стеклянной гармоникой Хржановский смело предпринял резкую критику системы в стиле, очевидно далеком от стиля ориентированных на Диснея детских мультфильмов, который превалировал на Союзмультфильме. Тонко подавая свое идейное представление о месте художника при тоталитарной системе и подписываясь под художественной манерой, контрастно отличающейся от официально принятой эстетики, Хржановский создал произведение искусства, которое, вопреки его исключительной художественной ценности, едва ли могло быть воспринято властью.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.012
Threshold uncertainty score0.040

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0040.008
Scholarly communication0.0050.005
Open science0.0010.003
Research integrity0.0030.004
Insufficient payload (model declined to judge)0.0120.004

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.253
Teacher spread0.239 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2019
Admission routes1
Has abstractyes

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