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Record W3023174717 · doi:10.36315/2020inpact013.pdf

A JOURNEY FROM SELF-DISCOVERY TO SELF-CARING: OLDER ADULTS ENGAGING WITH CONTEMPORARY ART

2020· article· en· W3023174717 on OpenAlexaffabout

Bibliographic record

Venuenot available
Typearticle
Languageen
FieldPsychology
TopicCreativity in Education and Neuroscience
Canadian institutionsUniversité de Montréal
Fundersnot available
KeywordsContext (archaeology)Diversity (politics)SociologyTypologyContemporary artThe artsDemocratizationThink aloud protocolVisual artsIdentification (biology)AestheticsPsychologyDemocracyComputer scienceArtPolitical scienceHistoryPoliticsAnthropology

Abstract

fetched live from OpenAlex

Context: Museum education is seen as a means of enriching individuals, creating meaningful situations that generate purpose for visitors. From the point of view of cultural democracy and cultural democratization, museums now realize that they must constantly innovate to meet the diverse and changing needs of communities in which they are embedded, and in so doing, fulfill their social role. Objectives: This is true when studying art museums, most specifically their contemporary art collection. Contemporary art, no longer primarily based on canonical principles of beauty, is still today considered a challenge for many individuals. In this context, the principal objective of our research program was centered around accessing and understanding the actual experiences of adults. To understand the intellectual functioning of visitors is an avenue in providing useful information for the elaboration of powerful museum programs. This is a key issue, for museum professionals since it is imperative to find ways to provide a diversity of museum experiences for all. More specifically, our paper presents effects of contemporary art exploration on older adults. Methods: Our research was conducted at the Montreal Museum of Fine Arts. Twenty-four adult visitors aged 65 and over that visited museums more than five times per year were selected. Data was collected using the Thinking Aloud protocol. This approach is one where visitors were asked to articulate ideas, thoughts they might have as they toured the galleries. The verbal comments were recorded, transcribed and analyzed using instruments created in previous research, that is, a typology of dissonances and consonances, the identification of eight mental operations, and these results were put in relation to Pelowski and Akiba's psychological model of a transformative art experience comprising five stages with three possible outcomes to the art experience. Results: Results indicate the importance of reaching Pelowski and Akiba's meta-cognitive Stage 4 of the aesthetic experience. Engaging with contemporary art seems to be, for the elderly visitor, an exercise in self-discovery where, with contemporary art, it is possible to find meaning. For our visitors, the aesthetic experience has the power of regenerating the self, resulting in self-caring. The museum can then be viewed as a self-care environment that provides elderly visitors with possible transformative aesthetic experiences that can help improve their well-being and quality of life. However, this would require additional research in exploring different museum experiences, considering different artistic periods, and this, as part of a longitudinal study.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.007
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.010
Threshold uncertainty score0.036

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0070.006
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0010.001
Science and technology studies0.0100.008
Scholarly communication0.0080.006
Open science0.0010.010
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.045
GPT teacher head0.311
Teacher spread0.266 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2020
Admission routes2
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