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Record W3036450943 · doi:10.3138/ctr.183.006

Clowning but Not: A Clown’s Approach to Drama for People with Intellectual and Physical Disabilities

2020· article· en· W3036450943 on OpenAlexvenueaboutno aff
Sue Proctor

Bibliographic record

VenueCanadian Theatre Review · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsDramaCreativityExpression (computer science)PsychologyDrama therapyAestheticsSocial psychologyVisual artsArt

Abstract

fetched live from OpenAlex

Even without the red nose and costume, clowning has much to offer when used as an approach to teaching creative drama to people with intellectual and physical disabilities. Clown humour and animated play encourage creativity, movement, and self-expression. With a clown-like approach, markers for success change and become more relevant to the level at which participants are working. Using a clown approach allows participants to expand their capacities by releasing the fear of not accomplishing their goals. In fact, slipping up and failing at tasks are good reasons for the group to laugh and relax. In my experience in setting up drama programs at the Manitoba Developmental Centre, I discovered the value of the clown’s flop. By embracing failure, participants were more able to enjoy taking risks. Non-verbal communication skills and object transformation, common to clown play, also created new possibilities for the participants’ creativity and expression. As a result, they were able to move, play, and communicate in unexpected ways and put on a performance for 300 people. The community of therapeutic clowns—including Karen Ridd, Joan Barrington, and organizations like the Dr. Clown Foundation—engages a similar approach to working with the public. They embrace failure and succeed at bringing joy through humour, clown antics, and play.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.335
Threshold uncertainty score0.666

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.005
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0040.004
Science and technology studies0.0060.011
Scholarly communication0.0060.004
Open science0.0020.005
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.040
GPT teacher head0.233
Teacher spread0.193 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations3
Published2020
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207