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Record W3082314913 · doi:10.1080/02687038.2020.1812248

Therapeutic songwriting as a meaningful, relationship-oriented activity to establish authentic communicative opportunities during therapy for an individual with PPA

2020· article· en· W3082314913 on OpenAlex
Alana Mantie-Kozlowski, Roger Mantie, Clara H. Keller

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueAphasiology · 2020
Typearticle
Languageen
FieldNeuroscience
TopicNeurobiology of Language and Bilingualism
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsPsychologyAshaInterpersonal communicationScale (ratio)PsychosocialPsychotherapistSocial psychology

Abstract

fetched live from OpenAlex

Background Therapeutic songwriting (TSW) is an activity used with people who have neurological and psychological conditions. TSW can act as a tool for assisting people with primary progressive aphasia (PPA) struggling to regain coherence and meaning amidst the psychosocial sequelae that often accompanies this chronic, progressive medical condition. With help from a facilitating clinician, TSW addresses issues of building and maintaining interpersonal relationships in the face of considerable language challenges.Aim This study explored how two different forms of TSW were perceived by a participant with PPA in terms of the quality and meaningfulness of the activity, and as a modality for conducting communication therapy.Methods & Procedures The participant was a 64-year-old woman with the logopenic variant of PPA. She participated in 13 therapy sessions designed to increase her successful use of conversational repair strategies while engaged in TSW using two different techniques: Song Parody Technique (SPT) and modified song Collage Technique (SCT). The participant’s perceptions were measured using the Meaningfulness of Songwriting Scale and a Songwriting Satisfaction and Enjoyment scale. A modified version of the ASHA Quality of Communication Life (ASHA QCL) was administered (pre and post) to measure the extent the participant believed TSW impacted her quality of communication life. The use of spontaneous repair strategies (word finding and picture board) during TSW tasks was tallied from recorded sessions.Outcomes & Results The participant found both forms of TSW meaningful. She enjoyed the activity and indicated creating the two songs was satisfying. She preferred the SPT over the modified SCT. When compared to pre-ASHA QCL measures, the participant felt it “easier to communicate” and to “stay in touch with family/friends”. She rated herself higher in terms of feeling “included”, “seeing the funny things in life”, “trying when people didn’t understand her”, and was more “confident in her ability to communicate”. The use of conversation repair increased from 20% to 80% of the opportunities during TSW.Conclusions Given the risk for psychosocial sequelae that often accompanies PPA, TSW was identified as an authentic, meaningful activity that created connectedness, while working on communication repairs during therapy. Even in the face of declining linguistic and cognitive abilities, TSW provided an opportunity for enriched social interaction, self-expression, motivation, confidence, and enhanced quality of communication. TSW addressed the importance of maintaining relationships in a manner that supported individualized choice and dignity for the participant.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: Bench or experimental
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.057
Threshold uncertainty score0.732

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.236
GPT teacher head0.358
Teacher spread0.122 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it