MétaCan
Menu
Back to cohort
Record W309175011

A Reflective Look at Thirty Years of Music Therapy Training at Capilano College/Un Regard Réfléchi Sur 30 Années De Formation En Musicothérapie À Capilano College

2007· article· fr· W309175011 on OpenAlexaboutno aff
Carolyn Kenny, Liz Moffitt, Nancy McMaster

Bibliographic record

VenueCanadian journal of music therapy · 2007
Typearticle
Languagefr
FieldPsychology
TopicMusic Therapy and Health
Canadian institutionsnot available
Fundersnot available
KeywordsMusic therapyThe artsSerendipityImprovisationMusic educationPsychologyLibrary scienceSociologyMedical educationVisual artsPedagogyMedicineArtPsychotherapist
DOInot available

Abstract

fetched live from OpenAlex

In September of 1976, the first Canadian Music Therapy training program began at Capilano College, in North Vancouver, British Columbia.[NM:] Music therapy didn't exist in B.C. before 1970. Due to the serendipity of two completely independent hitch-hiking encounters, both Carolyn and I joined forces with the innovators of an improvisational approach to community building for children with special needs, called the Children's Spontaneous Music[CK/NM:] Those early days were very exciting. In response to the work of the Children's Spontaneous Music Workshops (see Kenny, 2006), and a series of workshops we conducted in the Greater Vancouver area in the mid '70s (see Kenny, 1976), there was a groundswell of requests from the professional community, to train There was considerable interest from Eastern Canada as well. McGill University sent Deans, Faculty, and Program Directors to meet with us in Vancouver, with the idea of beginning a Music Therapy Program back east.Meanwhile, we were attempting to gain interest at the University of British Columbia (UBC). There were some faculty members who were extremely interested in getting a Music Therapy program going at UBC especially with our presence at the Bob Berwick Memorial Centre for Children and Carolyn's presence in the Department of Psychiatry at the UBC Psych Hospital. Word of Nancy's work at the Vancouver Neurological Centre had also come to the attention of some of the faculty at UBC. At the time, we were teaching some courses on Music Therapy and Creative Arts Therapies at UBC to health care and early education professionals, through Continuing Education. In the end, however, they decided not to go for it.Then all of a sudden, one day we got a call from Karl Koylanski, the head of Music at Capilano, who had heard about our work through the Music faculty at UBC. Capilano College invited us to come up to the College to talk with them about a possible program. They were getting requests from the community for music therapists. Five months later, the first class began (McMaster, 1983). And the rest is history.[CK:] In the beginning, there were two major influences. The first was the spontaneous improvisation, which was the core of the work in the Children's Spontaneous Music Workshops Nancy and I had participated in. We continued to work this way through the mid-1970s. For more information see the film Listen to the Music-Makers by Kenny & McMaster (1976) and the article by McMaster (1976). The other major influence was Nancy's training and education in England with Clive Robbins and Paul Nordoff.[NM:] The Nordoff-Robbins training was a profoundly life-changing experience that deepened my appreciation for and for an essentially spiritual perspective about clients, and Music Therapy. I had just completed an intensive course of classical piano studies at the Guildhall in London, after six months in India, and I was wide open. I would say that the combination of those influences and of Carolyn's First Nations heritage laid an implicit spiritual foundation for the Capilano program.[CK:] I had done my training in the United States. But I can't really say that was an influence because we rejected most of the elements of the U.S. education and training in therapy in the original design of the program. The one element from my U.S. therapy training that we did include in the program was the use of Psychodrama for practicum supervision. This was a very effective part of the original curriculum.[CK/NM:] The program was designed as a two-year graduate training program very much like the programs in Europe. Our idea was to attract applicants who already had a Bachelor's degree in or a health-related profession so that we could focus on the development of their therapy knowledge and skills.The central values of the Music Therapy program at Capilano included creativity and aesthetics, human development through the arts, a humanist/holistic perspective on human nature and development, and commitment to self-awareness and group dynamics throughout the training. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.006
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.621
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0060.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0010.001
Science and technology studies0.0010.001
Scholarly communication0.0000.001
Open science0.0010.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0180.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.072
GPT teacher head0.301
Teacher spread0.230 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2007
Admission routes1
Has abstractyes

Explore more

Same venueCanadian journal of music therapySame topicMusic Therapy and HealthFrench-language works237,207