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Record W3119139727 · doi:10.3138/jcs-2019-0006

Liberation on the Dance Floor: Collective Dance and Queer Politics in Canada

2020· article· en· W3119139727 on OpenAlexvenueaboutno aff
Craig Jennex

Bibliographic record

VenueJournal of Canadian Studies · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsQueerDanceGender studiesLesbianPoliticsConcert danceSociologyPrivilege (computing)Modern danceParadeVisual artsPolitical scienceArtLaw

Abstract

fetched live from OpenAlex

In this article, I consider Black Lives Matter—Toronto’s (BLM-TO) protest at the 2016 Toronto Pride Parade and reflect on the demands—the majority of which relate to the (re-)establishment and support of spaces for collective music participation. Following BLM-TO’s lead, I contend that music participation is vital for forging a sense of community and collective agency for queer individuals in Canada. I read BLM-TO’s protest alongside two specific examples of community organizing in Canadian lesbian, gay, bisexual, transgender, queer, Two-Spirited + history that privilege the dance floor as an integral space of politics: the Gay Alliance for Equality (GAE) in Halifax and the Gay Community Dance Committee (GCDC) in Toronto. I claim that the dance spaces of the GAE and the GCDC were transformative for Canadian gay and lesbian liberation politics in the 1970s and 1980s. Ultimately, by reading the historical efforts of the GAE and the GCDC alongside the contemporary demands of BLM-TO, I argue that music and dance spaces in which queer individuals can come together—spaces animated by the musical and collective dance traditions of communities of colour—have long been integral to queer formation in this country.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.223
Threshold uncertainty score0.901

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.004
Science and technology studies0.0530.019
Scholarly communication0.0110.002
Open science0.0020.005
Research integrity0.0020.005
Insufficient payload (model declined to judge)0.0130.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.062
GPT teacher head0.200
Teacher spread0.138 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2020
Admission routes2
Has abstractyes

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Same venueJournal of Canadian StudiesSame topicMusic History and CultureFrench-language works237,207