MétaCan
Menu
Back to cohort
Record W3148784471 · doi:10.3138/md.45.3.358

The Homestead at the Exit of the Paterfamilias: African Cultural Thought after Wole Soyinka

2002· article· en· W3148784471 on OpenAlexvenueno aff
Titi Adeptan

Bibliographic record

VenueModern Drama · 2002
Typearticle
Languageen
FieldArts and Humanities
TopicPostcolonial and Cultural Literary Studies
Canadian institutionsnot available
Fundersnot available
KeywordsContext (archaeology)PoliticsColonialismLiteratureHarlem RenaissanceAssertionHistoryArtAestheticsArt historyPerformance artLawPolitical science

Abstract

fetched live from OpenAlex

The core of Wole Soyinka's writing career is best described as a sustained attempt to locate African society in the twentieth-century context of the philosophy of culture. His was the immediate generation after the statements of cultural assertion that began with Claude McKay, C.L.R. James, Langston Hughes, Countee Cullen, and the Harlem Renaissance and continued in the pronouncements of Leopold Sedar Senghor, Aim Cesaire, Leon G. Damas, and Frantz Fanon. The urge to speak was also influenced by the colonial situation on the African continent,' and there was the gravamen of the crisis of apartheid in South Africa, which Soyinka has claimed time and again as one the deep motivations behind his urge to write. The most essential factor was Soyinka himself, or, more accurately, a cast of mind that had the singular gift of encapsulating cultural statements in elaborate "shrouds" and "veils" of metaphors. As considerable as his involvement with contemporary Nigerian and African politics is, the deeper motivations for even Soyinka's latter-day works, consumed so much by an overt topicality, derive from his long-standing commitment to show his theory of culture and society and the place and role of the writer/artist within it.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.015
Threshold uncertainty score0.033

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0150.013
Scholarly communication0.0050.004
Open science0.0000.003
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.027
GPT teacher head0.206
Teacher spread0.179 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2002
Admission routes1
Has abstractyes

Explore more

Same venueModern DramaSame topicPostcolonial and Cultural Literary StudiesFrench-language works237,207