The Sense of Isolation in Arthur Miller's All My Sons: A Postmodernist Study/LE SENS D'ISOLEMENT DANS TOUS MES FILS D'ARTHUR MILLER : UNE ÉTUDE DE POST-MODERNISTE
Bibliographic record
Abstract
Abstract: Miller's All my Sons no doubt can be considered an outstanding masterpiece which shows not only the nature of the Second World War but also the nature and the multifaceted features of business targeted and politicized wars which do not seem to come to a stoppage. Lots of researchers have worked on this play, but this study aims at having a postmodern look at All my Sons. It makes an attempt to break the shackles of the so-called logical reasoning and calculations of modernism and bring the issue in a free and honest bedrock. It tries to give a postmodern disclosure to the isolation and alienation of man, which have been inherited from the calculating modern world of enlightenment and rationalism. Key words: Arthur Miller; Isolation; Postmodern; Research; Alienation Resume: Il n'y a aucun doute qu'on peut considerer que Tous mes Fils de Miller un chef-d'oeuvre remarquable(qui montre non seulement la nature de la Seconde guerre mondiale, mais aussi la nature et les caracteristique a facettes multiples d'affaire qui ont ete cibles et politisees de guerres qui ne semblent pas venir a une interruption. Beaucoup de chercheurs a travaille sur ce sujet, mais cette etude vise a avoir un regard de post-moderne dans Tous mes Fils. Il fait une tentative de casser les chaines du raisonnement logique pretendu et des calculs de modernisme et apporte la question dans un socle rocheux libre et honnete. Il essaye de donner une revelation post-moderne a l'isolement et a l'alienation d'homme, qui a ete herite du monde moderne prevoyant d'eclaircissement et le rationalisme. Mots-cles: Arthur Miller; Isolement; Post-moderne; Recherche; Alienation INTRODUCTION This study deals with the interpretation and analysis of isolation in Miller's All My Sons in the light of postmodem study. To this aim, first the Isolated Family in All My Sons briefly analyzed, then Postmodernism introduced, which followed by a close postmodern study of the play, and finally the study comes to its conclusion by displaying the significance of the postmodern traits applied in the play showing the sense of isolation. ISOLATED FAMILY IN ALL MYSONS All my Sons one of Arthur Miller's well-remembered plays. Miller has been inspired from a true story. As Hooti and Maleki (2009, pp.45-57) quote from Miller that, source of inspiration of All My Sons was from a story told by a pious lady from the Middle West about a neighborhood family that had been destroyed when the daughter turned the father in to the authorities on discovering that he had been selling faulty machinery to the Army during World Warn. Miller in his play shows the isolation of the Kellers by giving the stage a feeling of isolation: The stage hedged on right and left by tall, closely planted poplars which lend the yard a secluded atmosphere (Miller, 1947, p. 58, henceforth Miller). For Joe Keller, there no outside world beyond his family and his job. His yard surrounded by picket fence. Then we can see his bounded world. There no comprehension for him of what going on in the outside world. If he guilty, it not because of his evil intentions, but because of his ignorance. Our feeling at the beginning of the play that self-made Joe, devoted Kate and loving Chris appear to be a perfect family. Their self-deception and guilt laid bare as the play develops. Their nature revealed as they react to the crisis that arises whenever the hand of the distant past reaches out of its grave ... to reveal some unreadable hidden order behind the amoral chaos of events. That emergence, says Miller (1973), is the point of All My Sons - that there are times when things do indeed cohere (vii). only outside world for Keller his business. Therefore, he reflecting the values of this world. business world does not have human values. Thus Miller puts part of blame for Keller's action on the consumer society and business world which its values are fake. …
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.002 | 0.003 |
| Scholarly communication | 0.001 | 0.001 |
| Open science | 0.000 | 0.001 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.003 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".