MétaCan
Menu
Back to cohort
Record W3160299235 · doi:10.16995/dscn.377

Collaborating with GLAM Institutions

2021· article· en· W3160299235 on OpenAlexafffundvenue
Christina Hilburger, Donna Langille, Melissa C. Nelson, Alessandra Bordini, Josie Ann Greenhill, Rebecca Dowson, Lisa Goddard

Bibliographic record

VenueDigital Studies / Le champ numérique · 2021
Typearticle
Languageen
FieldArts and Humanities
TopicDigital Humanities and Scholarship
Canadian institutionsUniversity of TorontoSimon Fraser UniversityUniversity of VictoriaMcGill UniversityUniversity of British Columbia, Okanagan CampusUniversity of British Columbia
FundersUniversity of VictoriaMcGill University
KeywordsLibrary scienceScholarshipThe RenaissanceSpecial collectionsArtDigital collectionsDigital libraryHumanitiesArt historySociologyPolitical scienceLiteraturePoetryComputer science

Abstract

fetched live from OpenAlex

This essay cluster features three essays by students which reflect on their experiences developing digital scholarly resources in collaboration with the GLAM sector (the acronym for galleries, libraries, archives, and museums). Each essay focuses on a particular project: a digital exhibit of Redpath Museum’s precious seahorse collection, a digital collection of Renaissance books published by the printer-publisher Aldus Manutius held at Simon Fraser University Library Special Collections, and a digital exhibit of Victorian-era Pre-Raphaelite books hosted by the University of Victoria Library. In describing these projects, these essays reveal emerging models of digital pedagogy involving collaboration among students, faculty, and librarians. Lisa Goddard and Rebecca Dowson, academic librarians specialized in digital scholarship from the University of Victoria and Simon Fraser University, respond to these essays, offering their perspective on what student–GLAM collaborations add to the mission of academic libraries. RésuméCe regroupement de dissertation se compose de trois dissertations écrites par des étudiants qui réfléchissent à leurs expériences acquises en développant des ressources universitaires numériques en collaboration avec le secteur GLAM (l’acronyme anglais pour Galleries, Libraries, Archives and Museums, ou Galeries, Bibliothèques, Archives et Musées). Chaque dissertation se focalise sur un projet particulier : sur une exposition numérique de la collection précieuse d’hippocampes du Musée Redpath ; sur une collection numérique de livres de la Renaissance publiés par l’imprimeur-éditeur Aldus Manutius, ce qui se trouve dans les Collections Spéciales de la Bibliothèque de l’Université Simon Fraser ; et sur une exposition numérique de livres Pré-Raphaelite venant de l’époque victorienne qui a eu lieu à la Bibliothèque de l’Université de Victoria. En décrivant ces projets, ces dissertations révèlent des modèles émergents de pédagogie numérique qui nécessitent la collaboration entre des étudiants, des membres de faculté et des bibliothécaires. Lisa Goddard et Rebecca Dowson, des bibliothécaires académiques qui se spécialisent dans l’érudition numérique de l’Université de Victoria et de l’Université Simon Fraser, répondent à ces dissertations, en donnant leur perspective sur ce que les collaborations étudiant-GLAM contribuent à la mission des bibliothèques académiques. Mots-clés: institutions GLAM; humanités numériques (DH); exposition numérique; curation numérique; métadonnées descriptives; pédagogie numérique

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.012
metaresearch head score (Gemma)0.022
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.028
Threshold uncertainty score0.095

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0120.022
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0040.005
Science and technology studies0.0230.012
Scholarly communication0.0250.017
Open science0.0030.046
Research integrity0.0030.004
Insufficient payload (model declined to judge)0.0280.005

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.084
GPT teacher head0.267
Teacher spread0.184 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2021
Admission routes3
Has abstractyes

Explore more

Same venueDigital Studies / Le champ numériqueSame topicDigital Humanities and ScholarshipFrench-language works237,207