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Record W318623146 · doi:10.3138/cjfs.17.1.11

“How do we get all these Disabilities in here?”: Disability Film Festivals and the Politics of Atypicality

2008· article· fr· W318623146 on OpenAlex
Sharon L. Snyder, David Mitchell

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueCanadian Journal of Film Studies · 2008
Typearticle
Languagefr
FieldHealth Professions
TopicHealth, Medicine and Society
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesEthnologyArtSociology

Abstract

fetched live from OpenAlex

Qu’est-ce qui change quand les personnes handicapées deviennent le public cible du cinéma plutôt que son objet, et que l’espace des festivals du film sur l’infirmité devient un lieu d’interaction? Le cinéma sur l’infirmité a produit une énorme quantité d’œuvres et le champ significatif qu’il constitue est de plus en plus divers. Simultanément, le film sur l’infirmité a cultivé chez le spectateur une reconnaissance le l’exclusion que partagent les personnes handicapés à travers les culturels, tout en fournissant des perspectives favorables à [’observation de différences géographiques, sociales, médicales, empiriques et disciplinaires. La virtualité du cinéma crée un espace alternatif qui sert de lieu de discussion pour les personnes handicapées qui peuvent y exprimer leurs préoccupations. La théorie de David Harvey sur « simultanéité » post-moderne offre une base solide pour analyser l’espace agonistique des festivals du film sur l’infirmité et leur public qui regarde autant qu’il commente.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.006
metaresearch head score (Gemma)0.023
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMetaresearch, Science and technology studies, Research integrity
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.315
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0060.023
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0010.010
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.128
GPT teacher head0.394
Teacher spread0.266 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it