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Record W3209986702

Motor learning in marimba performance: Spatiotemporal control of elbow and mallet movements

2021· article· en· W3209986702 on OpenAlexaboutno aff
Melissa Tan, Tristan Loria, John de Grosbois, Aiyun Huang, Michael H. Thaut

Bibliographic record

VenueJournal of Exercise, Movement, and Sport (SCAPPS refereed abstracts repository) · 2021
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
Fundersnot available
KeywordsMalletAccelerationMovement (music)ElbowMotor controlPsychologyPhysicsAcousticsMedicineAnatomy
DOInot available

Abstract

fetched live from OpenAlex

Musicians coordinate the upper-limbs in both temporal and spatial domains to execute sound-producing movements. From a motor control perspective, temporospatial control mechanisms underlying sound production remain poorly understood. Four-mallet marimba performance was assessed from spatial and temporal perspectives at three timepoints spaced over twelve weeks, here representing early (S1), intermediate (S2), and late phases (S3) of motor learning. Motion tracking measured movements of nine percussionists and computed acceleration of the elbows, wrists, hands, and mallets during the individual sessions. Mallets were held proximal to the pinky (mallet 1 in the left hand, mallet 4 in the right hand) and thumb (mallet 2 in the left hand, mallet 3 in the right hand). Mallet acceleration assessed temporal aspects of learning by converting data from each mallet and session into a frequency-domain representation using the pwelch method. The relative signal amplitude was extracted (i.e., relative power) to indicate relative contributions of specific frequencies to the time-series. Spatial contributions to learning were assessed via movement variability. It was hypothesized that the magnitude of learning would be greatest between S1 and S2, as demonstrated by reductions in spatial variability in upper-limb movements and temporal variability of mallet acceleration. As hypothesized, spatial variability in right and left elbow movements reduced between S1 and S2. However, temporal acceleration of mallets 2 and 3 increased from S1 to S2. Overall, percussionists may constrain movement degrees of freedom at the elbows to focus on temporal characteristics of the mallets during intermediate phases of motor learning in marimba performance.Acknowledgments: The Canada Foundation For Innovation and the Percussion Department in the Faculty of Music at U of T

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.023
Threshold uncertainty score0.746

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.217
Teacher spread0.208 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2021
Admission routes1
Has abstractyes

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Same venueJournal of Exercise, Movement, and Sport (SCAPPS refereed abstracts repository)Same topicMusic Technology and Sound StudiesFrench-language works237,207