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Record W339236173

Lisa Grekul. Kalyna's Song

2007· article· en· W339236173 on OpenAlexvenueaboutno aff
Lindy Ledohowski

Bibliographic record

VenueCanadian ethnic studies · 2007
Typearticle
Languageen
FieldSocial Sciences
TopicCanadian Identity and History
Canadian institutionsnot available
Fundersnot available
KeywordsUkrainianHomecomingGrandparentGender studiesEthnic groupDiasporaImmigrationMemoirHistoryThe artsSociologyIdentity (music)Media studiesArt historyArtAnthropologyPolitical scienceVisual artsLawAesthetics
DOInot available

Abstract

fetched live from OpenAlex

Lisa Grekul. Kalyna's Song. Regina: Coteau Books, 2003.474 pp. $14.95 sc. Kalyna's Song is Lisa Grekul's first novel. It began its life as Grekul's Master's thesis, and she subsequently revised it for publication while working simultaneously on her doctorate. Both Kalyna's Song and Grekul's academic work examine how members of the Ukrainian diaspora in Canada use the arts to represent and shape an understanding of what it means to claim to be Ukrainian here, often generations after the initial moment of immigration. As a descendent of Ukrainian immigrants who homesteaded on the Canadian prairie, this topic hits close to home for Grekul, and much of the novel appears to be autobiographical. Its protagonist, Colleen Lutzak, whose grandparents arrived in Canada from Ukraine, lives in small-town Alberta and studies abroad in Africa, mirroring Grekul's own early life. But the story is much more than a memoir of Grekul's adolescence. Rather, it offers an ethnic coming-of-age story in two parts: the first section follows Colleen through her final years of high school as she struggles to understand what being Ukrainian is, despite neither speaking Ukrainian nor ever travelling to Ukraine; the second section sees Colleen travel to Swaziland, where her ethnic concerns are set against a backdrop of global race relations. Colleen is a talented musician, and, not surprisingly, music, and the arts more broadly, function as vehicles through which she makes sense of her ethnic identity. During the first section of the book, set during the 1980s heyday of multiculturalism, Colleen begins to grapple with two very different kinds of Ukrainianness: contextual folk customs and historicized classical culture. The folk culture that has been the sum total of her childhood ideas about what it means and feels to be Ukrainian is personified in Colleen's cousin, Kalyna. The simple Kalyna loves Ukrainian folk music as the link to a culture that she has forgotten, evoking Colleen's own juvenile ideas about what Ukrainianness entails. After meeting a new music teacher, Sister Maria, however, Colleen begins to see that there is more to Ukrainian identity than simple folk arts, and she is introduced to the works of Ukrainian composers and Ukraine's history. Under Sister Maria's tutelage, Colleen learns that Kalyna's type of Ukrainianness, one locked in a past accessed through half-forgotten folk customs, is incomplete. Colleen's understanding of Ukrainianness through Ukrainian folk music and Ukrainian classical music gets further complicated when she travels to Swaziland to study for a year. Repeatedly she fails to make her Ukrainianness comprehensible to her international schoolmates. How can she be Ukrainian when she does not speak the language? …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.521
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.136
GPT teacher head0.380
Teacher spread0.244 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2007
Admission routes2
Has abstractyes

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