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Record W411562735

The Heart of Reality: Essays on Beauty, Love, and Ethics

2005· article· en· W411562735 on OpenAlexvenueno aff
Greg Gaut

Bibliographic record

VenueCanadian Slavonic Papers · 2005
Typearticle
Languageen
FieldArts and Humanities
TopicClassical Philosophy and Thought
Canadian institutionsnot available
Fundersnot available
KeywordsBeautyPhilosophyCriticismPoetryPoliticsMeaning (existential)LiteratureMoralityArt historyAestheticsArtEpistemologyLawPolitical science
DOInot available

Abstract

fetched live from OpenAlex

Vladimir Soloviev. Heart of Reality: Essays on Beauty, and Ethics. Ed. and trans. by Vladimir Wozniuk. Notre Dame: Notre Dame University Press, 2003. xviii, 244 pp. Index, cloth.In the last quarter of the nineteenth century, Russian philosopher and theologian Vladimir Solov'ev was a towering figure in Russian intellectual life, comparable in many ways to Dostoevsky and Tolstoy. Today, however, Solov'ev is little known in the West, partially because little of his work is available in English. Vladimir Wozniuk is trying to change that. Yale University Press published his Politics, Law and Morality: Essays by V. S. Soloviev in 2000 and now his new anthology samples Solov'ev's aesthetic and literary studies.Wozniuk has organized this new volume around four on and love, sandwiched between Solov'ev's three addresses on Dostoevsky from the early 1880s on one side, and essays on the poets Pushkin, Lermontov and Mickiewicz from the late 1890s, on the other (p. xii). An Appendix contains Solov'ev's short piece defending Dostoevsky against Konstantin Leontiev's criticism, and three reviews in which Solov'ev sarcastically panned early works of Symbolist poetry.The coherence of the volume rests on the core essays, and the two, Beauty in Nature and The Universal Meaning of are certainly central to an understanding of Solov'ev's aesthetics. Readers who see Solov'ev as a mystical writer will be surprised by the essay on nature, which is concerned with concretely sorting out why some animals are beautiful and some ugly. Solov'ev relied here heavily on Darwin, whose historical approach to natural phenomena he found attractive. Solov'ev's conclusion that beauty exists objectively in nature leads to the essay on art, which Solov'ev sees as the connecting link between the beauty of nature and the beauty of the Ideal life to come. Art is a kind of inspired prophecy which captures flashes of eternal beauty in the present and anticipates the beauty of the future. In the third core article, First Step toward a Positive Aesthetic, Solov'ev rejected the arts for art's sake notions of the 1890s in favor of a position which values art for contributing to humanity's progress toward the Kingdom of God. Another surprise awaits the reader here, because the first step to a positive aesthetics praised by Solov'ev turns out to be a book by the left-wing critic Nikolai Chernyshevsky, who defended the idea, central to Solov'ev's aesthetics, that artistic activity must serve the common goal of humanity. final and longest core essay, The Meaning of Love, seems out of place here, especially since it is already available in English translation in a paperback edition. Motivated by the publication of Tolstoy's Kreutzer Sonata, Solov'ev argued that heterosexual love was an essential part of the process of human salvation. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.976
Threshold uncertainty score0.993

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.058
GPT teacher head0.261
Teacher spread0.203 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2005
Admission routes1
Has abstractyes

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