"Different Planes of Sensuous Form": American Critical and Popular Responses to Elizabeth Barrett Browning's Aurora Leigh and Last Poems: Annotated Bibliography, American Periodicals, 1856-62
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
In her dedication of Aurora Leigh to John Kenyon, Elizabeth Barrett Browning described her book as ‘‘the most mature of my works, and the one into which my highest convictions upon Life and Art have entered.’’2 Throughout her lifetime, from the publication of her first book in 1826, An Essay on Mind, through the publication of Poems Before Congress, the final volume of which was released before her death in 1861, she maintained her high poetic aspirations, often challenging poetic conventions with her diction, choice of subject matter, unconventional philosophies about women and their roles as poets and artists, and her stance on social, economic, and political issues of the day. The year 2006 marks the bicentennial of Browning’s birth, and it seems an opportune time to examine and to amplify, in some modest way, the bibliographical research done on Browning and her poetry. The purpose of this introductory essay and annotated bibliography is to examine previously undocumented reviews and essays of Aurora Leigh and Last Poems which appear in American periodicals during the years 1856-62. A second purpose is to record, through an explanation of the resources and methods utilized, how access to a new electronic database, the American Periodicals Series (APS) available from ProQuest, may augment the scholarship and bibliographic study of numerous nineteenth-century authors including Elizabeth Barrett Browning, Alfred Lord Tennyson, Robert Browning, Christina Rossetti, and Charles Dickens.
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Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.001 | 0.002 |
| Scholarly communication | 0.001 | 0.001 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it