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Record W4220663269 · doi:10.3389/fnins.2022.808038

The Use of Sonification for the Analysis and Teaching of Interpretive Auditory Nuances

2022· article· en· W4220663269 on OpenAlexfundno aff
Kathleen Riley

Bibliographic record

VenueFrontiers in Neuroscience · 2022
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
FundersYork University
KeywordsSonificationImitationMIDIPianoActive listeningCognitive psychologyAuditory feedbackPerspective (graphical)PsychologyPhrasePerceptionHuman–computer interactionComputer scienceCommunicationNatural language processingArtificial intelligenceArtSocial psychology

Abstract

fetched live from OpenAlex

The integrative powers of human auditory perception in masterful performing artists can create nuances of sound from the interpretation of notes on a written page that often seem beyond one's grasp as a listener. It is important to consider what type of feedback can provide a clearer understanding of nuances in sound to guide motor learning for the acquisition of new skills for expression. Master pianists' performance has been used as a model for imitation. However, to ensure the accuracy of imitation and clear understanding, sonification was examined for its effectiveness in providing a more immediate understanding of individual interpretations in terms of inter-onset timing and velocity of the notes. Three master concert pianists volunteered to record a performance of the Chopin Nocturne Opus 15 No. 1 on a Yamaha Disklavier Pro MIDI (music instrument digital interface) grand piano. Logic software was used to analyze and compare MIDI data from each performance from the perspective of phrase-by-phrase, note onset timings, and corresponding data from the other pianists. The study objectives were to examine commonalities and differences in timing and dynamics among the performances using MIDI measurements; to probe whether listening to comparative performance data assisted with feedback from sonification would enhance music students' understanding of the interpretive nuances through imitation; and to determine whether auditory-assisted sonification feedback could be used as a tool to expand students' interpretive choices and enhance performance. Participants imitated selected phrases of each of the master pianists, first with only music listening, and then with feedback from the sonified, comparative performance data. Results showed limited success in attempts to imitate the model with auditory feedback alone. Auditory-assisted sonification feedback significantly enhanced the participants' abilities to imitate the model faster and with greater accuracy in the final imitation experiments. The data gathered by the study provide insights on this kind of sonification as an effective feedback tool for heightening participants' auditory understanding of nuances in sound, as well as providing an effective teaching tool for imitation exercises.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: Bench or experimental
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.006
Threshold uncertainty score0.018

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0000.001
Scholarly communication0.0010.001
Open science0.0010.001
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0060.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.023
GPT teacher head0.252
Teacher spread0.229 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designBench or experimental
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2022
Admission routes1
Has abstractyes

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