Exhibiting and Writing on Art from the Middle East — Some Recent European and North American Exhibitions and their Catalogues. 25 ans de créativité arabe, Paris/Cinisello Balsamo (Milan) : Institut du Monde Arabe/Silvana Editoriale, 2012, 215 pp. b/w and col. ill., $ 32.95 paper Isbn 9788836624317 Massimiliano Gioni, ed. Here and Elsewhere, New York : New Museum, 2014, 279 pp. b/w and col. ill., $ 55 paper Isbn 9780915557059 Unedited History, Séquences du moderne en Iran des années 1960 à nos jours, Paris : Paris-Musées, 2014, 199 pp., ill. € 39.90 paper Isbn 9782759602452 Fereshteh Daftari and Layla S. Diba, eds., Iran Modern, New York/New Haven and London : Asia Society Museum/Yale University Press, 2013, 256 p. ill., Cloth Isbn 9780300197365 Omar Kholeif, ed., Imperfect Chronology: Arab Art from the Modern to the Contemporary — Works from the Barjeel Art Foundation, London/Munich/New York: Whitechapel Gallery/Prestel Verlag, 2015, 272 p. ill., $ 65 cloth Isbn 9783791354859
Bibliographic record
Abstract
Exhibiting and Writing on Art from the Middle East — Some Recent European and North American Exhibitions and their Catalogues / 25 ans de créativité arabe, Paris/Cinisello Balsamo (Milan) : Institut du Monde Arabe/Silvana Editoriale, 2012, 215 pp. b/w and col. ill., $ 32.95 paper Isbn 9788836624317 / Massimiliano Gioni, ed. Here and Elsewhere, New York : New Museum, 2014, 279 pp. b/w and col. ill., $ 55 paper Isbn 9780915557059 / Unedited History, Séquences du moderne en Iran des années 1960 à nos jours, Paris : Paris-Musées, 2014, 199 pp., ill. € 39.90 paper Isbn 9782759602452 / Fereshteh Daftari and Layla S. Diba, eds., Iran Modern, New York/New Haven and London : Asia Society Museum/Yale University Press, 2013, 256 p. ill., Cloth Isbn 9780300197365 / Omar Kholeif, ed., Imperfect Chronology: Arab Art from the Modern to the Contemporary — Works from the Barjeel Art Foundation, London/Munich/New York: Whitechapel Gallery/Prestel Verlag, 2015, 272 p. ill., $ 65 cloth Isbn 9783791354859. An article from journal RACAR : Revue d'art canadienne / Canadian Art Review (Volume 42, Number 1, 2017, pp. 4-106), on Érudit.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.001 |
| Meta-epidemiology (narrow) | 0.002 | 0.001 |
| Meta-epidemiology (broad) | 0.002 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.005 | 0.005 |
| Scholarly communication | 0.001 | 0.003 |
| Open science | 0.001 | 0.001 |
| Research integrity | 0.001 | 0.003 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".