Exhibition Reviews
Bibliographic record
Abstract
CO-WINNER OF THE 2019 JOURNAL OF CURATORIAL STUDIES EMERGING WRITER AWARD ART FOR A NEW UNDERSTANDING: NATIVE VOICES, 1950s TO NOW Curated by Mindy N. Besaw, Candice Hopkins and Manuela Well-Off-Man, Crystal Bridges Museum of American Art, Bentonville, 6 October 2018 – 7 January 2019 CO-WINNER OF THE 2019 JOURNAL OF CURATORIAL STUDIES EMERGING WRITER AWARD MAQDALA 1868 Curated by Alexandra Jones, Victoria and Albert Museum, London, 5 April 2018 – 30 June 2019 RUNNER-UP FOR THE 2019 JOURNAL OF CURATORIAL STUDIES EMERGING WRITER AWARD LAWRENCE ABU HAMDAN, EARWITNESS THEATRE Curated by Ellen Greig, Chisenhale Gallery, London, 21 September – 9 December 2018 JASMINA CIBIC: EVERYTHING THAT YOU DESIRE AND NOTHING THAT YOU FEAR Curated by Cheryl Sim, DHC/ART Foundation for Contemporary Art, Montreal, 25 October 2018 – 3 March 2019 FRANÇOISE SULLIVAN Curated by Marc Lanctôt, Musée d’art contemporain de Montréal, Montreal, 20 October 2018 – 20 January 2019 SADAÂNE AFIF: THIS IS ORNAMENTAL Curated by Anne Faucheret, Kunsthalle Wien, Vienna, 9 September 2018 – 18 November 2018 DAVID HARTT: in the forest Oakville Galleries in Gairloch Gardens, Oakville, 23 September 2018 – 6 January 2019 DAYNA MCLEOD, INTIMATE KARAOKE, LIVE AT UTERINE CONCERT HALL Curated by FADO Performance Art Centre, co-presented with SummerWorks Performance Festival, The Theatre Centre, Toronto, 15 August 2018 HEAVENLY BODIES: FASHION AND THE CATHOLIC IMAGINATION Curated by Andrew Bolton, Metropolitan Museum of Art, New York, 10 May – 8 October 2018 CARSTEN HÖLLER AND STEFANO MANCUSO, THE FLORENCE EXPERIMENT Curated by Arturo Galansino, Palazzo Strozzi, Florence, 19 April – 26 August 2018 COME UP TO MY ROOM 2018 Curated by Christophe Jivraj, Jana Macalik and Lukus Toane, Gladstone Hotel, Toronto, 18 – 21 January 2018 Antarctic biennale Curated by Alexander Pronomarev and Nadim Samman, Antarctica, various locations, 17 – 27 March 2017 LIL MIQUELA @lilmiquela, 2016 – ongoing, www.instagram.com/lilmiquela
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.008 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.003 | 0.002 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.009 | 0.005 |
| Open science | 0.002 | 0.004 |
| Research integrity | 0.003 | 0.003 |
| Insufficient payload (model declined to judge) | 0.730 | 0.606 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".