Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
CO-WINNER OF THE 2019 JOURNAL OF CURATORIAL STUDIES EMERGING WRITER AWARD ART FOR A NEW UNDERSTANDING: NATIVE VOICES, 1950s TO NOW Curated by Mindy N. Besaw, Candice Hopkins and Manuela Well-Off-Man, Crystal Bridges Museum of American Art, Bentonville, 6 October 2018 – 7 January 2019 CO-WINNER OF THE 2019 JOURNAL OF CURATORIAL STUDIES EMERGING WRITER AWARD MAQDALA 1868 Curated by Alexandra Jones, Victoria and Albert Museum, London, 5 April 2018 – 30 June 2019 RUNNER-UP FOR THE 2019 JOURNAL OF CURATORIAL STUDIES EMERGING WRITER AWARD LAWRENCE ABU HAMDAN, EARWITNESS THEATRE Curated by Ellen Greig, Chisenhale Gallery, London, 21 September – 9 December 2018 JASMINA CIBIC: EVERYTHING THAT YOU DESIRE AND NOTHING THAT YOU FEAR Curated by Cheryl Sim, DHC/ART Foundation for Contemporary Art, Montreal, 25 October 2018 – 3 March 2019 FRANÇOISE SULLIVAN Curated by Marc Lanctôt, Musée d’art contemporain de Montréal, Montreal, 20 October 2018 – 20 January 2019 SADAÂNE AFIF: THIS IS ORNAMENTAL Curated by Anne Faucheret, Kunsthalle Wien, Vienna, 9 September 2018 – 18 November 2018 DAVID HARTT: in the forest Oakville Galleries in Gairloch Gardens, Oakville, 23 September 2018 – 6 January 2019 DAYNA MCLEOD, INTIMATE KARAOKE, LIVE AT UTERINE CONCERT HALL Curated by FADO Performance Art Centre, co-presented with SummerWorks Performance Festival, The Theatre Centre, Toronto, 15 August 2018 HEAVENLY BODIES: FASHION AND THE CATHOLIC IMAGINATION Curated by Andrew Bolton, Metropolitan Museum of Art, New York, 10 May – 8 October 2018 CARSTEN HÖLLER AND STEFANO MANCUSO, THE FLORENCE EXPERIMENT Curated by Arturo Galansino, Palazzo Strozzi, Florence, 19 April – 26 August 2018 COME UP TO MY ROOM 2018 Curated by Christophe Jivraj, Jana Macalik and Lukus Toane, Gladstone Hotel, Toronto, 18 – 21 January 2018 Antarctic biennale Curated by Alexander Pronomarev and Nadim Samman, Antarctica, various locations, 17 – 27 March 2017 LIL MIQUELA @lilmiquela, 2016 – ongoing, www.instagram.com/lilmiquela
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it