Natalie Alvarez, ed. Fronteras Vivientes: Eight Latina/o Canadian Plays. Natalie Alvarez, ed.Latina/o Canadian Theatre and Performance.
Bibliographic record
Abstract
techniques of re-mediation when a Shakespearean play is moved from page to stage.As Stroud demonstrates, working in artistic forms so removed from each other as dramatic text and dance, "image can supplant the function of the narrative line while sustaining the integrity of the text" (59).Lawrence Howe concludes this line of academic inquiry by focusing on John Greyson's cinematic adaptations of Michel Marc Bouchard's dramaturgy.As he argues, cinematic adaptations, often better than original theatre plays or productions, can reveal sensitive social and political issues, including the questions of gender politics and institutional oppression.Specifically, he argues, "drawing on a striking range of intertextual procedures, Lilies subtly expands the scope of its criticism of homophobia in Canadian culture, rather than eliding or softening the critical stance of Bouchard's Les Feluettes" (204).In conclusion, I would like to return to the premise of this edited collection, which reminds us that "live performance does not only offer a tool to analyze and explore types of adaptation but is essentially a type of adaptation itself " (xviii).In its interdisciplinary positioning, the art of adaptation borrows various story-telling devices of two or more performing media brought together or juxtaposed with each other in this gesture of moving stories across performing borders.By bringing together academic articles, archival materials, interviews, and primary texts of adaptations themselves, the collection successfully maps out a large and diverse territory of contemporary adaptation techniques in theatre, a welcome addition to this emerging field in theatre studies today.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.000 | 0.001 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.002 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".