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Record W4254895411 · doi:10.1017/cbo9780511777486.006

Translation

2010· book-chapter· en· W4254895411 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueCambridge University Press eBooks · 2010
Typebook-chapter
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsPoetryPound (networking)LiteratureSonnetArtTranslation studiesHistoryClassicsComputer science

Abstract

fetched live from OpenAlex

No less than he did for poetry, Ezra Pound successfully redefined both the conceptual and procedural terms for translation as a mode of literary production during the modernist period and after. Over practically his entire long career, Pound engaged in a sustained and enormously varied effort as both a practitioner and theorist of translation. Stretching at least from the early Sonnets and Ballate of Guido Cavlacanti (1912) all the way to the late collection of Love Poems of Ancient Egypt (1962), Pound published renderings of numerous different works from a wide range of languages, including Greek, Latin, Provençal, and classical Chinese, in addition to medieval Italian and Egyptian. Over and above the sheer volume of these efforts at rendering particular texts, he repeatedly, if never systematically, engaged in critical reflection about the practice, discussing both the larger cultural significance of translation and its proper methods. Taken together, his achievements in the arena of translation comprise a substantial and fundamentally important part of his overall accomplishment as a writer.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.990
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.042
GPT teacher head0.193
Teacher spread0.151 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it