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Record W4307475969 · doi:10.1525/lavc.2022.4.4.131

Review: <i>Rubens in Repeat: The Logic of the Copy in Colonial Latin America</i>, by Aaron M. Hyman; <i>Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820</i>, by Maya Stanfield-Mazzi

2022· article· en· W4307475969 on OpenAlexaffabout
Evonne Levy

Bibliographic record

VenueLatin American and Latinx Visual Culture · 2022
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical Studies and Socio-cultural Analysis
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsIconLatin AmericansCitationMayaColonialismClothingArt historyArtHistoryLibrary scienceComputer scienceArchaeologyPolitical scienceLaw

Abstract

fetched live from OpenAlex

Book Review| October 01 2022 Review: Rubens in Repeat: The Logic of the Copy in Colonial Latin America, by Aaron M. Hyman; Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820, by Maya Stanfield-Mazzi Rubens in Repeat: The Logic of the Copy in Colonial Latin America, by Aaron M. Hyman. Los Angeles: Getty Publications, 2021. 320 pages. Hardcover $70.00.Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820, by Maya Stanfield-Mazzi. Notre Dame: University of Notre Dame Press, 2021. 400 pages. Hardcover $50.00, eBook $37.99. Evonne Levy Evonne Levy University of Toronto Search for other works by this author on: This Site PubMed Google Scholar Latin American and Latinx Visual Culture (2022) 4 (4): 131–134. https://doi.org/10.1525/lavc.2022.4.4.131 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Evonne Levy; Review: Rubens in Repeat: The Logic of the Copy in Colonial Latin America, by Aaron M. Hyman; Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820, by Maya Stanfield-Mazzi. Latin American and Latinx Visual Culture 1 October 2022; 4 (4): 131–134. doi: https://doi.org/10.1525/lavc.2022.4.4.131 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentLatin American and Latinx Visual Culture Search Under review here are two art historical studies of the artistic media—painting and textiles—that dominated the church interiors of colonial Mexico and Peru. Aaron Hyman’s intellectually ambitious book tackles a fundamental aspect of colonial painting that is, at last, receiving the dedicated study it merits: the high degree of repetition of painted compositions based on European prints. Maya Stanfield-Mazzi’s well-researched and thoughtful monograph, full of new material, is the first cultural and technical history of ecclesiastical textiles—imported, locally produced, or a combination of the two—highlighting the ways in which Indigenous artisans participated in outfitting the church. Both books share an interest in the peculiar colonial conditions of the makers, and in works that can be considered nonauthorial. Both also track the intermedial interactions generated by the transatlantic media empire: for Hyman, between (European) print and American painting, and for Stanfield-Mazzi, between different types of textiles, as well as print, drawing,... You do not currently have access to this content.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.279
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.001
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.248
Teacher spread0.235 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2022
Admission routes2
Has abstractyes

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