Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
XIIIsport viewed as anachronistic by many, whose rules are difficult to follow and whose human performers have little presence outside the arena, can continue to command its premier position at the Calgary Stampede.Aritha van Herk explores the world of chuckwagon racing, an event pioneered by and most identifiable with the Calgary Stampede.She describes the event's origins, rules, development, and controversial image.She views chuckwagon racing as an activity firmly tied to a sense of place, with a closeknit community of participants and a unique iconic ethos.She also sees its development as local and accidental and "almost shyly naive."To van Herk, chuckwagon racing is a metaphor for hope, one that anticipates the peace that follows danger.It also touches the essence of a past era, possibly more than anything else the Stampede has to offer.In his discussion of public art and monuments in Calgary, Frits Pannekoek argues that the best artistic statements about the Stampede are confined to the Stampede grounds, the rural hinterland, and the airport.Elsewhere, Stampede images are most visible in gaudy commercial signage.Pannekoek concludes that to Calgary's guardians of culture, the Stampede embodies a specific myth contrived for commercial purposes.While public art elsewhere in the city embodies historical and socio-cultural themes, emerging issues, and more refined myths, it has little to do with the Stampede and its rambunctious version of the city's "official" past.Brian Rusted explores the controversial topic of western art and its marginalization by contemporary art institutions.He sees its robust survival as fitting evidence of a legitimacy that belongs outside more formal prescriptions.He discusses the Stampede's contribution to western art through several historic phases and manifestations, including the highly popular Stampede Western Art Show.Yet the results have not been entirely positive.Rusted points out that the Stampede's current efforts to promote itself through spectator-oriented visual representations have resulted in a popularized view of the West and a virtual abandonment of its relationship to art and visual culture.In their "reading" of selected Stampede posters, Robert M. Seiler and Tamara Palmer Seiler show how visual texts can be sites of meaning.They see the Stampede posters as emphasizing both nostalgia for the past and a belief in progress and technology.The cowboy is incorporated into both these contradictory themes and thus emerges as an ambiguous figure.Within this context the authors suggest that the Stampede posters are much more open texts than might be imagined, and that the various images of the cowboy are central to the complex struggle over the meaning of western Canadian experience.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.003 | 0.002 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it