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Record W4380874653 · doi:10.3138/ctr.137.001

Sense and <i>reminiSCENT:</i> Performance and the Essences of Memory

2009· article· en· W4380874653 on OpenAlexvenueno aff
Jim Drobnick

Bibliographic record

VenueCanadian Theatre Review · 2009
Typearticle
Languageen
FieldAgricultural and Biological Sciences
TopicCulinary Culture and Tourism
Canadian institutionsnot available
Fundersnot available
KeywordsRealmAestheticsPsychologyPerceptionOptimal distinctiveness theoryWizardCognitive scienceArtSocial psychologyHistory

Abstract

fetched live from OpenAlex

If the sense of smell appears to have been eclipsed by the other senses in western culture, there is one realm in which it retains an almost mythic power — memory. reminiSCENT, a performance series curated by myself and Paul Couillard,1 acknowledged the powerful relationship between smell and memory and explored the artistic and cultural potential of this undervalued sense. Documentation in literature and science indicate that no other sense evokes memory as intensely as smell. For Marcel Proust, a whiff of a madeleine conjured up the world of childhood; for Helen Keller, smell was a “potent wizard” (181) that transported one across thousands of miles. Even newborns, after just a few days, recognize and remember their mothers via the distinctiveness of smell. As compelling as these olfactory experiences are, there is a tendency to regard smells purely on the level of immediacy. Yet fragrances also have complex social meanings. How, what and why we smell are subject to many cultural influences. One only has to consider hygiene and the myriad ways in which the body is bathed, cared for and scented to appreciate the role that smell plays in transmitting culture. In short, smell is as much a learned, cultural practice as it is a physical act of perception (see Drobnick Smell Culture).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Commentary · Consensus signal: none
Teacher disagreement score0.125
Threshold uncertainty score0.249

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0020.003
Science and technology studies0.0030.022
Scholarly communication0.0070.006
Open science0.0010.003
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0060.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.010
GPT teacher head0.195
Teacher spread0.186 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreCommentary

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations4
Published2009
Admission routes1
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicCulinary Culture and TourismFrench-language works237,207