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Record W4380880817 · doi:10.3138/ctr.114.002

Fantasies of Origin: Staging the Birth of the Canadian Stage

2003· article· en· W4380880817 on OpenAlexvenueaboutno aff
Ellen Mackay

Bibliographic record

VenueCanadian Theatre Review · 2003
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsGeorge (robot)Reading (process)Period (music)The artsGovernment (linguistics)HistoryPerforming artsLiteratureArtArt historyVisual artsAestheticsLawPhilosophyPolitical scienceLinguistics

Abstract

fetched live from OpenAlex

In the period that Don Rubin characterizes by the eventual necessity of “Government Interventions” – that is, 1945 to 1967 – the Anglo-Canadian stage is repeatedly defined as something unformed, primitive and justifiably neglected (131). George Broderson, in a fevered succession of metaphors, calls it a “national impotence,” the “Cinderella of the arts,” and an “undernourished, puling infant” (147); to Nathan Cohen, it is a thing that has “never counted in the life of English-language Canada, [n]or is it likely to in the reasonably foreseeable future” (228). Even to those more inclined to see the glass as half-full, there is no denying the apparent barrenness of Anglo-Canada’s theatre culture; Mavor Moore, for instance, describes it in the mid-fifties as a “tabula rasa,” “propitious[ly]” awaiting inscriptions of “considerable consequence,” but currently blank nonetheless (238). It is thus the paradox of Rubin’s post-war readings in Canadian Theatre History (of which the foregoing are all examples), that they are largely dedicated to bemoaning the lack of a Canadian theatre to historicize. Reading these selections, one gets the impression of a posse of academics impatient for a discipline in which to profess expertise. Conventional wisdom would call this placing the cart before the horse.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.135
Threshold uncertainty score0.983

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.006
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.003
Science and technology studies0.0480.038
Scholarly communication0.0150.005
Open science0.0020.006
Research integrity0.0030.007
Insufficient payload (model declined to judge)0.0140.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.035
GPT teacher head0.239
Teacher spread0.204 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2003
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207