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Record W4380925738 · doi:10.3138/ctr.133.014

Dollhouse

2008· article· en· W4380925738 on OpenAlexvenueno aff
Sheri Benning

Bibliographic record

VenueCanadian Theatre Review · 2008
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical Art and Culture Studies
Canadian institutionsnot available
Fundersnot available
KeywordsArtPorchArt historyArchaeologyHistory

Abstract

fetched live from OpenAlex

In autumn, as the schoo l bus pull ed away from our yard, Heath er and I would r un to the hou se, throw aside our schoo l outfits for our worn out “work clothes” and head to th e back forty of our farm, wh er e there was an old wooden granary. We spent hours cleaning that gr anary, though no amount of scrubbing rid it of th e mu sk of decaying wood, barl ey chaff, mou se shit and the debris of swallow nests. If asked wh at we were up to, we’d mutter some thing about playing “pioneer,” th ough this was more of an expedien t explanation than an actual indicator of what we were doing. Together, but isolated — both of us immer sed in our own imag ined worlds — Heather and I staged and restaged the granar y, with rain—bloate d furniture, torn books and knick—knacks th at we found scattere d in th e rock pile behind th e dug— out or in the attic of th e barn . If we got hungry, we’d raid th e ripe garden for food, dodging made—up enemies — wild animals and equally wild sto rybook “Ind ians.” In autumn, th e mer e scent of what’s almost ineffable — dusk air tin ged with stubble fire, cut clover — places me back in that granary. I’m reading Anne l’ Green Gables, while Heath er has qui et conversations with her favourite doll, who m she aptly calls, “Dolly.” I still tease Heather about how she and Doll y bear a funn y resemblance — th ey share reddish, matted curls, limbs scuffed with mud and grass, a few freckles and chee ky grins.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.794
Threshold uncertainty score0.000

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0010.001
Science and technology studies0.0040.001
Scholarly communication0.0050.004
Open science0.0010.004
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.7940.556

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.043
GPT teacher head0.212
Teacher spread0.169 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2008
Admission routes1
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicHistorical Art and Culture StudiesFrench-language works237,207