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Record W4380925762 · doi:10.3138/ctr.119.004

Deep Dramaturgy: Excavating the Architecture of the Site-Specific Performance

2004· article· en· W4380925762 on OpenAlexvenueno aff
Heidi Taylor

Bibliographic record

VenueCanadian Theatre Review · 2004
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsArtDramaturgyDanceArt historyVisual artsFriezePorchSculptureHistoryArchaeology

Abstract

fetched live from OpenAlex

Four-hundred-and-fifty people have gathered in a sculpture court. Small folding stools on the perimeter of the spacefill quickly. I am whispering requests to the artistic staff and catching the cast’s eyes to let them know we are ready. H and Shannon are tied together with rope, back-to-back on a six-foot high platform. They are both tall, and one faint moment could send them both crashing into the marble floor. I check that the safety ladder is close to them and give the go to Joe and Jeff on sound and lights. Images floating around me cohere and break apart, like clouds or nebulae. The sinking of the Titanic is buoyed up by a tap dancer in flapper garb, glowing at the audience as she spins in double time. We are wrenched back into the modem world with a pulsating dance that all thirty-seven actors whip into, an accumulating, repetitive movement that surges through the space, till the fragile wooden plinths look in danger of toppling. After the frenzy, a meditative text on the idea of home, and a grand finale of Vegas dancers, who break down like wind-up toys, littering the stage with their peacock feathers as they die in a parody of Swan Lake. The final text – echoing over the dancers’ bodies, the stilled tableaux – is doubly resonant for the company members who know it is their last performance together.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.035
Threshold uncertainty score0.116

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0120.008
Scholarly communication0.0070.003
Open science0.0010.006
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0350.006

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.202
Teacher spread0.184 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations5
Published2004
Admission routes1
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207