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Record W4380926006 · doi:10.3138/ctr.131.005

A Piece of String and a Little Imagination: An Interview with Chris Wheeler

2007· article· en· W4380926006 on OpenAlexvenueno aff
Gavin McDonald

Bibliographic record

VenueCanadian Theatre Review · 2007
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsVisual artsSet (abstract data type)ProgrammerArtComputer scienceComputer graphics (images)

Abstract

fetched live from OpenAlex

When I started working at the Stratford Festival in 2003, one of the blessings of the organization that was pointed out to me early on was that we had our own MacGyver. Chris Wheeler (a.k.a. “Wheeler” or “Wheels”) held and still holds the singular position of Electronics Technologist. In this capacity, he is the go-to man when the director, the set designer or lighting designer wants something magical to happen onstage that requires some kind of electrical wizardry. He is also an in-house software programmer. Our lighting inventory is filled with “Wheeler” strobe lights, “Wheeler Brains” for remote dimmers and effects and scores of random lighting toys, all with a “Wheels” or “Wheeler” prefix, unique creations that he’s been building for decades. As an assistant lighting designer, one of my primary responsibilities was to keep Wheeler in the loop for what tricks each show needs: how many dimmable lanterns in each show? how long are they on for? how many lighting effects are built into the set? does the radio light up? how many channels of DMX control is the monkey puppet going to need? and when is everything needed by? Most of that work happens in his shop in the Festival Theatre complex, where I sat down with Chris on a snow-covered January day in Stratford to have a chat.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.012
metaresearch head score (Gemma)0.022
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.162
Threshold uncertainty score0.322

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0120.022
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0020.002
Science and technology studies0.0330.025
Scholarly communication0.0130.013
Open science0.0030.008
Research integrity0.0070.015
Insufficient payload (model declined to judge)0.0090.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.238
Teacher spread0.207 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2007
Admission routes1
Has abstractyes

Explore more

Same venueCanadian Theatre Review→Same topicCinema and Media Studies→French-language works237,207→