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Record W4380926299 · doi:10.3138/ctr.105.fm

Editorial

2001· editorial· en· W4380926299 on OpenAlexvenueaboutno aff
Ann Wilson

Bibliographic record

VenueCanadian Theatre Review · 2001
Typeeditorial
Languageen
FieldSocial Sciences
TopicCanadian Identity and History
Canadian institutionsnot available
Fundersnot available
KeywordsDramaCommonwealthTheme (computing)Media studiesSociologySpace (punctuation)HistoryArt historyArtVisual artsPolitical scienceLawPhilosophy

Abstract

fetched live from OpenAlex

The theme of this issue of Canadian Theatre Review was suggested by Marc Maufort, a professor at Université Libre de Bruxelles whose area of specialization is Canadian and Australian theatre. I want to thank Professor Maufort for reminding the editors that Canadian practitioners and their work have an impact beyond the boundaries of Canada. Professor Maufort’s own commitment to Canadian drama serves as a salient reminder that Canadian studies is an important part of the curricula of universities located in countries which were once the Commonwealth, and now, as the relationship between the imperial centre and its colonies is being rethought through postcolonial studies, drama written by Canadians is being positioned in site-specific ways. As Geeta Budhiraja’s commentary on two productions directed by Robert Fothergill, a Canadian playwright and academic, suggests, within the particular space of an academically sponsored institute, Canadian drama reads as “foreign,” so that the audience identifies with in it ways that resonate with its experience. Joanne Tompkins suggests that the classes in which she teaches Canadian drama in Australia, a settler colony like Canada, offer the discursive space to address commonality and difference between Australia and Canada.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.024
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Editorial · Consensus signal: Editorial
Teacher disagreement score0.071
Threshold uncertainty score0.000

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.024
Meta-epidemiology (narrow)0.0020.001
Meta-epidemiology (broad)0.0020.002
Bibliometrics0.0040.003
Science and technology studies0.0050.002
Scholarly communication0.0070.003
Open science0.0040.001
Research integrity0.0080.009
Insufficient payload (model declined to judge)0.0470.024

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.010
GPT teacher head0.261
Teacher spread0.251 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEditorial

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2001
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicCanadian Identity and HistoryFrench-language works237,207