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Record W4380926306 · doi:10.3138/ctr.128.fm

Remembering Herbert (c. 2006)

2006· article· en· W4380926306 on OpenAlexvenueaboutno aff
Robin Breon

Bibliographic record

VenueCanadian Theatre Review · 2006
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsDramaGlobeMeaning (existential)NewspaperReading (process)The artsLiteratureHistoryMedia studiesArtSociologyVisual artsPsychologyLawPolitical science

Abstract

fetched live from OpenAlex

These eloquent words begin Herbert Whittaker’s account of Montreal theatre from 1920 through 1949, as detailed in his book, Setting the Stage. This text, along with two earlier books, Whittaker’s Theatre 1944—1975 and Whittaker’s Theatricals should be required reading for every drama student in the country. I firs t met Herbert - (I won’t use the diminutive “Herbie” here although it was almost universally applied by most of his friends. Whenever I would receive a message on my voice mail from him it was always: “This is Herbert give me a call when you get a chance .“And I think , if the truth were known, he preferred it ) - in the early 1970s when we formed an organization of theatre critics and writers called the Toronto Drama Bench. The arts patron, Floyd Chalmers, had given a sum of money for an endowment to encourage excellence in dramatic writing, and there needed to be some body to adjudicate the award. Herbert was then the drama critic for the Globe and Mail and I was writing for a small, left-Wing “underground” newspaper of the period called Guerilla. In chatting after the meeting, Herbert noted that he was the senior (meaning oldest) member of the organization and that I was the youngest and that therefore we should try to get along. We did that in a friendship that lasted over thirty years. During that time, (lost my status as youngest member of the organization, but some how he remained our elderst atesman.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.070
Threshold uncertainty score0.236

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0060.002
Scholarly communication0.0060.005
Open science0.0010.002
Research integrity0.0030.004
Insufficient payload (model declined to judge)0.0700.029

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.221
Teacher spread0.199 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2006
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207