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Record W4380929263 · doi:10.3138/ctr.127.004

The Actor as Sound Cyborg: An Interview with Marie Brassard

2006· article· en· W4380929263 on OpenAlexvenueno aff
J. Paul Halferty

Bibliographic record

VenueCanadian Theatre Review · 2006
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsGirlArtPsychologyVisual artsSociologyDevelopmental psychology

Abstract

fetched live from OpenAlex

In Marie Brassard’s most recent play, Peepshow, there is a scene that, in my view, gives insight into the nature and the spirit of her theatrical process and of the work she creates. In this scene, a young girl describes an experience she has had in school. Her teacher shows a flashcard on which a word is written, and she is to determine whether the word is best categorized as a “person” or an “animal.” The word she is shown is “Dad.” The little girl decides that person is too simple and obvious and that this must be a trick question. The less obvious answer must be the right answer. “Maybe the teacher knows something I don’t and she’s going to show it to me,” the little girl muses. “Maybe she’s going to open a door to a world I don’t even know exists. And at the end of the day, I’ll be a better person.” With this in mind, the little girl responds, “Animal.” Disappointedly, her teacher tells her that she is wrong, and relegates her to the side of classroom reserved for “not-so-clever ones.” “The next day at school I understood the game,” she tells us, “and from then on, when I was asked a question, I’d answer the obvious answer. And everyone was happy, except for me. Because deep inside I knew I was right. I knew there must be a door somewhere” (Brassard 3–4).1

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.008
metaresearch head score (Gemma)0.018
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.066
Threshold uncertainty score0.132

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0080.018
Meta-epidemiology (narrow)0.0010.002
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0020.001
Science and technology studies0.0330.019
Scholarly communication0.0110.009
Open science0.0020.008
Research integrity0.0120.020
Insufficient payload (model declined to judge)0.0070.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.029
GPT teacher head0.238
Teacher spread0.209 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations3
Published2006
Admission routes1
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207