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Record W4382298946 · doi:10.4000/belphegor.5170

États du futurisme dans l’anticipation et la science-fiction (et leurs fins du monde)

2023· article· fr· W4382298946 on OpenAlex
Irène Langlet

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueBelphégor · 2023
Typearticle
Languagefr
FieldArts and Humanities
TopicUtopian, Dystopian, and Speculative Fiction
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtPhilosophy

Abstract

fetched live from OpenAlex

Les fins du monde ne sont pas un thème récent dans la littérature d’anticipation. Elles ont même connu plusieurs vogues médiatiques entre 1860 et 1940, au moment-même où, selon François Hartog (et selon Reinhardt Koselleck, dont il suit les hypothèses), le régime d’historicité futuriste devient dominant en Occident. Comment comprendre cette contradiction ? Est-ce une préfiguration de la déshérence du futur qui tétanise la pensée, cent ans plus tard ? On pourrait penser que la marche vers l’avenir n’était qu’une illusion, portée par des fictions de genre intrinsèquement mensongères. Mais on peut défendre aussi que la science-fiction, et l’anticipation qui la précède dans l’histoire littéraire de la modernité, se caractérisent par une hybridation de différents régimes d’historicité, qui complexifient radicalement l’enjeu des fins du monde qui y sont thématisées. Dans leur métarécit comme dans leur formes et pratiques les plus en prise avec l’actualité, c’est par leurs ambivalences que les fictions de genre éclairent le mieux les cultures du futur de l’Occident.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.937
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0020.001
Scholarly communication0.0010.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.088
GPT teacher head0.309
Teacher spread0.221 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it