Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Examines Gabriele D’Annunzio to re-evaluate cultural exchange and the political dimensions of global decadence and modernism First book to examine Gabriele D’Annunzio’s work from a global perspective and within World Literature paradigms Transnational and cross-disciplinary focus: unveils D’Annunzio’s investment in multilingualism, including dialect and translingual writing, as well as the influence of issues of mobility and migration, colonialism and politics on the global reception of his works Introduces a polycentric view of D’Annunzio by bringing together chapters written by scholars from 12 countries (Italy, France, Belgium, Austria, Spain, UK, US, Canada, Russia, Egypt, Argentina, Japan), whose work in many cases appears in English for the first time Unveils the crucial role of D’Annunzio’s translators as cultural mediators and examines translations and adaptations as politically charged practices Redefines D’Annunzio scholarship through a transnational lens, while also making a crucial contribution to studies of global decadence by demonstrating the role of Italian decadence in international networks of literary and artistic exchange Gabriele D’Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond – in France, Austria-Hungary, Russia, Japan and South America, D’Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D’Annunzio’s work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D’Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement – one that is profoundly cosmopolitan and yet also problematically nationalistic.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it