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Record W4385834601 · doi:10.16995/dscn.9671

It Matters to the Viewer: Social Reviews of Books Adapted for Film

2023· article· en· W4385834601 on OpenAlexvenueno aff
Rosamond Thalken, David Mimno, Matthew Wilkens

Bibliographic record

VenueDigital Studies / Le champ numérique · 2023
Typearticle
Languageen
FieldArts and Humanities
TopicShakespeare, Adaptation, and Literary Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsAmateurAdaptation (eye)CriticismFidelityArgument (complex analysis)Reading (process)Similarity (geometry)PsychologyPlot (graphics)Computer scienceSocial psychologyLinguisticsLiteratureArtificial intelligenceArtPolitical sciencePhilosophyLaw

Abstract

fetched live from OpenAlex

On the social reviewing platform Goodreads, reviewers simultaneously assess both book and film when reviewing books with a film adaptation. Using computational methods, we analyze 151,100 Goodreads book reviews about adapted titles and find that the presence of an adaptation alters how amateur reviewers evaluate a book. Through topic modelling, we find three main types of adaptation reviews: the subjective, the critical, and the nostalgic. On close reading, we find that fidelity criticism, a type of criticism that evaluates the success of an adaptation by comparing differences with its source, is common throughout reviews. The fidelity criticism that we find, however, probes into distinct classes of similarities: similarity in plot, characters, bias, and spirit. These reviews are guided by socially constructed “rules” regarding adaptation, including to “read the book first” and that “the book will be better.” Our findings demonstrate how amateur adaptation reviewers navigate social norms about adaptation, but in practice are guided by their personal experiences and preferences, even if that means breaking adaptation norms.Sur la plateforme d'évaluation sociale Goodreads, les critiques évaluent simultanément le livre et le film lorsqu'ils évaluent des livres ayant fait l'objet d'une adaptation cinématographique. En utilisant des méthodes informatiques, nous analysons 151 100 critiques de livres sur Goodreads concernant des titres adaptés et nous constatons que la présence d'une adaptation modifie la façon dont les critiques amateurs évaluent un livre. Grâce à la modélisation des sujets, nous trouvons trois types principaux de critiques d'adaptation : les subjectives, les critiques et les nostalgiques. En lisant attentivement, nous constatons que la critique de fidélité, un type de critique qui évalue le succès d'une adaptation en comparant les différences avec la source, est commune à toutes les critiques. La critique de fidélité que nous trouvons, cependant, explore des classes distinctes de similitudes : similitude de l'intrigue, des personnages, du parti pris et de l'esprit. Ces critiques sont guidées par des "règles" socialement construites concernant l'adaptation, notamment le fait de "lire le livre d'abord" et que "le livre sera meilleur". Nos résultats démontrent que les critiques d'adaptation amateurs naviguent entre les normes sociales en matière d'adaptation, mais qu'en pratique, ils sont guidés par leurs expériences et préférences personnelles, même si cela signifie qu'ils ne respectent pas les normes en matière d'adaptation.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.017
metaresearch head score (Gemma)0.186
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.017
Threshold uncertainty score0.091

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0170.186
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0060.005
Science and technology studies0.0020.002
Scholarly communication0.0050.003
Open science0.0010.002
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0020.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.104
GPT teacher head0.302
Teacher spread0.198 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2023
Admission routes1
Has abstractyes

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