Fibres and Beyond: The Pedagogic Affects of a Women’s Art Collective / Vlakna i više: pedagoški afekti ženskoga umjetničkog kolektiva
Bibliographic record
Abstract
In this case study, we explore how a group of mature fibre artists, known as Fibres and Beyond (FaB), have made an ongoing contribution to their rural communities through art practice, both within the circle of group members and among the wider community. For nearly twenty years, FaB has successfully maintained their artist collective, generating pedagogic affects in bi-annual exhibits as venues that raise awareness of creative expression and stimulate reciprocal dialogue with the general public about ways of making, sharing and producing art. In this way, art events are arguably a form of knowledge creation that attend to lifelong learning and rural art education by building upon informal exchanges that demonstrate an ongoing and vital commitment to nurturing and sustaining local social and cultural engagement.Key words: artist collectives; informal learning; pedagogical events; rural art education, social art practice. --- U ovoj studiji slučaja istražujemo kako je skupina zrelih tekstilnih umjetnica, znana kao Vlakna i više (ViV), trajno doprinijela svojim ruralnim zajednicama kroz umjetničko djelovanje, oboje unutar kruga ili grupe članova i u široj zajednici. Tijekom gotovo dvadeset godina, ViV je uspješno održavao svoj umjetnički kolektiv stvarajući pedagoške afekte na dvogodišnjim izložbama, kao mjestima razvijanja svijesti o kreativnom izričaju te poticao recipročni dijalog s općom javnosti o načinima izrade, dijeljenja i stvaranja umjetnosti. Na taj način umjetnički događaji nedvojbeno su postali oblik stvaranja znanja te služili cjeloživotnom učenju i ruralnom umjetničkom obrazovanju, nadograđujući neformalne razmjene koje demonstriraju kontinuiranu i vitalnu predanost njegovanju i održavanju lokalnoga društveno-kulturološkog angažmana.Ključne riječi: neformalno učenje; pedagoška događanja; praksa socijalne umjetnosti; seosko umjetničko obrazovanje; umjetnički kolektivi.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.014 | 0.014 |
| Scholarly communication | 0.006 | 0.004 |
| Open science | 0.001 | 0.009 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.010 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".