MétaCan
Menu
← Back to cohort
Record W4386522931 · doi:10.37099/mtu.dc.etdr/1613

CEREMONY AND STORYWORK: DECOLONIZING STRATEGIES IN CONTEMPORARY INDIGENOUS DOCUMENTARY FILM

2023· dissertation· en· W4386522931 on OpenAlexaboutno aff
April Lindala

Bibliographic record

Venuenot available
Typedissertation
Languageen
FieldSocial Sciences
TopicIndigenous Health, Education, and Rights
Canadian institutionsnot available
Fundersnot available
KeywordsIndigenousReverenceFilmmakingCeremonySovereigntyAnthropologyNarrativeHegemonyHistoryMovie theaterSociologyGender studiesMedia studiesArtPoliticsPolitical scienceLiteratureArt historyLawArchaeology

Abstract

fetched live from OpenAlex

This dissertation centers on multiple Indigenous-directed documentary and experimental films directed by an emerging class of Indigenous storyworkers who are making space on the cinematic screen to increase society’s consciousness of Indigenous peoples and their stories. I focus on films produced between 2015-2022 from six Indigenous directors representing diverse Indigenous communities from within Canada and the United States: Alethea Arnaquq-Baril (Inuit), Christopher Auchter (Haida), Sarain Fox (Ojibwe), Sky Hopinka (Ho-chunk), Tasha Hubbard (Plains Cree), and Ciara Lacy (Native Hawai’ian). These Indigenous documentarians have been generating a dynamic wave of cultural productions that contribute to Indigenous knowledge production, enact and represent narrative sovereignty, strengthen Fourth Cinema’s presence within the broader filmmaking world, and counter or question perceived universal truths stemming from Eurocentric hegemonic thought. The collection of films contains overlapping themes of culture, family, community (an expanded notion of community) as well as demonstrate a reverence for Indigenous language, Indigenous voices, and ancestral memory. To complete this study, I draw upon the guiding principles of Indigenous storywork (Archibald, 2008) and pair these principles with the practice of neurodecolonization (Yellow Bird, 2012, 2016, 2019) in order to synergistically prepare for and engage with the nine selected Indigenous-directed films. I call this combined approach a decolonizing cinematic engagement practice. I also reflect and remark on what it means to adopt a decolonizing cinematic engagement practice and offer it as a humble gift for Indigenous students. I assert that the pairing of Indigenous methodology with Indigenous method expands the breadth and depth of intellectual pathways and generates novel possibilities for students of documentary film as well as students of Indigenous studies. In alignment with these approaches, I present this dissertation through the overarching metaphor of the contemporary Indigenous powwow in order to provide Indigenous readers with culturally-specific directional signposts.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.008
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.014
Threshold uncertainty score0.031

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.008
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0130.013
Scholarly communication0.0060.004
Open science0.0020.008
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0050.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.033
GPT teacher head0.349
Teacher spread0.316 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2023
Admission routes1
Has abstractyes

Explore more

Same topicIndigenous Health, Education, and Rights→French-language works237,207→