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Record W4392066817 · doi:10.51644/9780889205635

Literature as Pulpit

2006· book· en· W4392066817 on OpenAlexaboutno aff
Randi R. Warne

Bibliographic record

Venuenot available
Typebook
Languageen
FieldArts and Humanities
TopicShakespeare, Adaptation, and Literary Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsPulpitArtVisual arts

Abstract

fetched live from OpenAlex

Nellie L. McClung (1873-1951) was an internationally celebrated feminist and social activist whose success as a platform speaker was legendary. Her earliest notoriety was achieved as a writer, and during her lengthy career she authored four novels, two novellas, three collections of short stories, a two-volume autobiography and various collections of speeches, articles and wartime writing, to a total of sixteen volumes. All this served as a “pulpit” from which McClung could preach her gospel of feminist activism and social transformation. She was convinced that God’s intention for Creation was a “Fair Deal” for everyone; and that Canada, particularly the prairie West, was a perfect place to begin to bring that about. Woman suffrage, temperance and the ordination of women were keystones in the battle — engaged, in contrast to contemporary stereotypes, with a wit and compelling humour that won over enemies as it delighted her allies. Literature as Pulpit explores Nellie McClung’s vision of a “better world,” and the impediments to it, as expressed through her novels and her feminist “tract,” In Times Like These . It addresses the profoundly anti-feminist context within which McClung was forced to make her arguments, and notes her indebtedness to other feminist writers and thinkers of her day. Throughout, McClung’s religion of “active care” emerges as a consistent and harmonizing theme which integrates her feminism and social activism into a single empowering vision for social change.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.018
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.176
Threshold uncertainty score0.590

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.018
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0060.010
Science and technology studies0.0090.007
Scholarly communication0.0290.014
Open science0.0020.007
Research integrity0.0040.006
Insufficient payload (model declined to judge)0.1760.110

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.019
GPT teacher head0.209
Teacher spread0.190 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2006
Admission routes1
Has abstractyes

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Same topicShakespeare, Adaptation, and Literary CriticismFrench-language works237,207