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Record W4392213791 · doi:10.1353/tfr.2024.a919952

Van Gogh and the Avant-Garde: Along the Seine ed. by Gerritse Bregje and Jacquelyn N. Coutré (review)

2024· article· en· W4392213791 on OpenAlexaboutno aff
Catherine Gaughan

Bibliographic record

Venue˜The œFrench review · 2024
Typearticle
Languageen
FieldArts and Humanities
TopicNarrative Theory and Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsAvant gardeArtArt history

Abstract

fetched live from OpenAlex

Reviewed by: Van Gogh and the Avant-Garde: Along the Seine ed. by Gerritse Bregje and Jacquelyn N. Coutré Catherine Gaughan Bregje, Gerritse and Jacquelyn N. Coutré, eds. Van Gogh and the Avant-Garde: Along the Seine. Yale UP, 2023. ISBN 978-0-300-26976-5. Pp. 207. This book is a stunning compilation of paintings and analyses spanning a period that encouraged pioneering work and launched career-changing ideas of avant-garde artists, including Van Gogh, Seurat, Signac, Bernard, and Angrand, who all chose to paint in the same area on the outskirts of Paris on the River Seine. Demonstrating both in words and images the considerable contributions of these artists through their works, such as "Signac in Asnières: The Formative Years" and "Angrand: Expressive Harmonies from Saint-Ouen and Asnières to Courbevoie" or the aptly-titled "Postcards along the Seine," the catalogue illuminates the profound transformation of Paris primarily as a result of industrialization that ultimately inspired these artists to develop innovative motifs, styles, and techniques. The striking color paintings throughout come from diverse sources, including art galleries, and public and private collections, and are part of two concurrent exhibitions at The Art Institute of Chicago (May 14–September 4, 2023) and at the Van Gogh Museum in Amsterdam (October 13, 2023–January 14, 2024). Moreover, the director's foreword provides a deeper understanding of the project, outlining the artists' motivations to venture to the unassuming suburbs northwest of Paris and pursue new terrains for their modern painting style. Carefully annotated together with various maps, the book explores the distinction between the city and the suburbs, from Courbevoie to Asnières known for its beautiful villas and leisure activities, as well as La Grande Jatte whose guinguettes offered a festive dining experience. Additionally, the book examines the ways in which these communities inspired the artists to tackle themes of modernization, experimentation, and engagement. The well-balanced commentaries discuss the growing modernism of their painting practices, notably broken brushstrokes, strong outlines, and stark color contrasts, which would inspire generations of artists to come and change the trajectory of modern art. Concluding with a chronology from 1880 to 1891 detailing this decade of artistic experimentation followed by the artists' biographies, Van Gogh and the Avant-Garde is essential to any modern art aficionado's collection as the book itself is not only a work of art but also includes analyses that impart a deeper understanding of the undeniable impact the vibrant landscape of the Parisian suburbs exerted in the late nineteenth century and beyond. [End Page 108] Catherine Gaughan Toronto Metropolitan University (Ontario, Canada) Copyright © 2024 American Association of Teachers of French

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.098
Threshold uncertainty score0.996

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0050.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.246
Teacher spread0.230 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2024
Admission routes1
Has abstractyes

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Same venue˜The œFrench reviewSame topicNarrative Theory and AnalysisFrench-language works237,207