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Record W4392485429

Enseignement à distance de la musique - Création du laboratoire LAMUSADI

2012· preprint· en· W4392485429 on OpenAlexaboutno aff
Sylvaine Leblond Martin

Bibliographic record

VenueHAL (Le Centre pour la Communication Scientifique Directe) · 2012
Typepreprint
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
Fundersnot available
KeywordsComputer scienceMathematics educationVisual artsHuman–computer interactionPsychologyArt
DOInot available

Abstract

fetched live from OpenAlex

The first part of the thesis presents e-learning "applied" to music, that is to say the EAD (Enseignement à distance) which uses the ICTT - Information and Communication Technologies for teaching, and whose we adapt the pedagogical categories and educational methods to traditional Western music education. The question is asked, "What happens when we try to combine the principles and procedures of e-learning with those of traditional Western music education?" " To answer this question, we are studying the way in which disciplines such as musical, instrumental and vocal interpretation, orchestral and choir conducting and the theoretical elements of theory, can be taught at a distance. We reserve the study and analysis of the means of distance education of the disciplines of composition and musicology and ethnomusicology to present them in the third and last part of the thesis, because of their involvement in the musical creation of the twentieth and twenty-first centuries which is itself closely linked to the practices of ICT and ICTT.The second part has two sections. The first shows how Internet users today can find and create music lessons on the internet of all categories, shapes and qualities. We address the problems of copyright and reproduction of music on the net and we examine a number of possible solutions. The second section develops the setting up of the LAMUSADI laboratory founded to experiment with the creation and realization of distance learning courses in music at the level of courses at music conservatories in Quebec. This experiment was carried out using the OPALE model from the SCENARI editorial chain of UTC (Université de Technologie de Compiègne, France).The third part of the thesis exposes the innovations in musical e-learning, that is to say the processes which deepen the concepts and systems at the basis of classical EAD which are today part of traditional musical education. Finally, this musical EAD shows how new technologies are at the origin of new aesthetics at the same time as original ways and means are opened for musical education. Thus the master-pupil relationship, which is a fundamental relationship in world musical learning, is renewed, not only in Western education, but in all educational systems of music throughout the world.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.006
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Methods · Consensus signal: none
Teacher disagreement score0.861
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0060.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0020.002
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.217
Teacher spread0.208 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designTheoretical or conceptual
Domainnot available
GenreMethods

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2012
Admission routes1
Has abstractyes

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