MétaCan
Menu
Back to cohort
Record W4395027227 · doi:10.3138/cjfs-2022-0036

Bad Blood: Serial Killers, True Crime, and the Racial Imaginary in <i>Shadow of a Doubt</i>

2024· article· en· W4395027227 on OpenAlexaffvenueabout
Joceline Andersen

Bibliographic record

VenueCanadian Journal of Film Studies · 2024
Typearticle
Languageen
FieldArts and Humanities
TopicCrime and Detective Fiction Studies
Canadian institutionsThompson Rivers University
Fundersnot available
KeywordsThe ImaginaryShadow (psychology)CriminologyPsychologyPsychoanalysis

Abstract

fetched live from OpenAlex

Concepts of racial identity and parentage played an important role in Canadian media coverage of the 1927 case of Earle Nelson, a well-publicized true crime story that was adapted into Hitchcock’s 1943 film Shadow of a Doubt. Nelson, known as the Dark Strangler, was identified as the killer of over twenty women in the United States before crossing the border into Canada, where he was captured, tried, and hanged. The evidence presented in Winnipeg in the Dark Strangler case centred on his physicality as a man perceived as mixed race. The narrative around Nelson, which was circulated several times in true crime magazines after his death, found its most famous outlet in the Hitchcock film based on the Dark Strangler case, Shadow of a Doubt. In Hitchcock’s film, the question of racial and familial identity raises its head in disquieting relationships between a mother and daughter and their serial killer relative. By examining the film through true crime paratexts, in this paper I explore how Shadow of a Doubt made taboos around illegitimacy and race visible for audiences of the 1940s.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.453
Threshold uncertainty score0.902

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0140.024
Scholarly communication0.0090.004
Open science0.0010.004
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0040.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.030
GPT teacher head0.262
Teacher spread0.232 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2024
Admission routes3
Has abstractyes

Explore more

Same venueCanadian Journal of Film StudiesSame topicCrime and Detective Fiction StudiesFrench-language works237,207