Movement, movie-making, and soil art: hope in affectively de/composing pedagogies
Bibliographic record
Abstract
In the complexities of current realities, we are a writing collective of educators interested in placing hope in the present, particularly in composing practices and pedagogies. Drawing on a post-qualitative methodology, we weave together examples of practices of dance/movement, digital movie-making, and soil artivism with specific concepts of affect-as/is-hope. As a counternarrative to writing pedagogies and assessments that are increasingly standardized, product-oriented, technical, rational, and disembodied, we introduce the term de/composing pedagogies to conceptualize the potential in processes of becoming/making/meaning-making that are always something else/more/different and even less. De/composing pedagogies help us name, describe, experience, and examine – individually and collectively – what is moving us and our practices more intensely and deeply; what is making possible new ways of being/becoming/doing for us and for our co-learners (e.g. the teachers and students we work with); and what is expanding potential for us as writers/composers/educators in and across various situations and contexts. As (re)sources of hope, we close with pedagogical questions related to composing through/with elements of experimentation, embodiment, an emphasis on relation and (re)connection, ephemeral and material elements, (e)motion, and the emergence of meaning-making.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.002 | 0.001 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".