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Record W4407341386 · doi:10.1017/lar.2025.6

Was Sor Juana a Sphinx? Monstrosity and the Poetics of Dedication in Her Transoceanic <i>Enigmas</i>

2025· article· en· W4407341386 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

fundA Canadian funder is recorded on the work.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueLatin American Research Review · 2025
Typearticle
Languageen
FieldArts and Humanities
TopicEarly Modern Women Writers
Canadian institutionsnot available
FundersYork University
KeywordsPoetryPoeticsSphinxArtMonsterIdentity (music)NarrativeHumanitiesLiteratureArt historyVisual artsAesthetics

Abstract

fetched live from OpenAlex

Abstract This article explores Sor Juana Inés de la Cruz’s (1648–1695) strategic poetic approach, aimed at democratizing writing and knowledge among women during her period. It examines her engagement with the literary academy, Casa del Placer, believed to have included nuns from Portuguese convents and women of the nobility. Specifically, the study analyzes Sor Juana’s final poetic work, the Enigmas ofrecidos a la Casa del Placer (1695), comprising twenty unanswerable poetic enigmas. In this collection, Sor Juana departs from individual lyric expression, a shift I call a “poetics of dedication,” advocating for a communal cultural identity centered on her persona’s fame. Through this gesture, Sor Juana appropriates and challenges patriarchal narratives that labeled her as a “monster” due to her perceived exceptionalism. My article shows how, toward the end of her life, Sor Juana embraces and subverts discussions about her exceptional status and transatlantic identity, fostering a sense of transoceanic sorority among women writers of the colonial period.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.853
Threshold uncertainty score0.955

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.003
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.071
GPT teacher head0.349
Teacher spread0.278 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it