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Record W4415820358 · doi:10.33682/97cs-z57g

Editorial: I Can't Breathe

2020· article· en· W4415820358 on OpenAlexaboutno aff
Jonathan Jones

Bibliographic record

VenueArtsPraxis · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsGeneral partnershipDistance educationEquity (law)The InternetProfessional developmentPoliticsWork (physics)Scope (computer science)

Abstract

fetched live from OpenAlex

In this editorial, the editor reflects on the current political climate in the US and its impact on theatre education. In Issue 2a, the articles focus on educational theatre in the time of COVID-19 and cover the scope of classroom-based educational theatre practice in urban and rural K-12 settings, colleges and universities, and on implementing research-based theatre online. Roxane E. Reynolds describes her experience transitioning to remote instruction in a secondary school in Dallas, Texas. Jessica Harris illuminates the ways in which the digital divide (lack of access to high speed internet to rural areas and/or folks from low-socioeconomic backgrounds) in rural Fluvanna County, Virginia challenges theatre educators to re-think their approach to distanced learning. On the college front, Alexis Jemal, Brennan O'Rourke, Tabatha R. Lopez, and Jenny Hipscher were tasked with devising a theatre in education (TIE) program for a course at CUNY School of Professional Studies in New York. Their liberation-based social work practice required a new approach as they transitioned online. Cletus Moyo and Nkululeko Sibanda document transitioning practical theatre courses to distance learning at Lupane State University in Zimbabwe, echoing the challenges related to equity and access that Harris experienced. Chris Cook, Tetsuro Shigematsu, and George Belliveau at the University of British Columbia in Canada query: What teaching practices endure in the online research-based theatre classroom, and what new ways practices were fostered through their emerging partnership with technology? For the final article in this issue, Saharra L. Dixon, Anna Gundersen, and Mary Holiman take us out of the classroom and into the field with their reflection on creating and presenting The #StayHome Project, a devised ethnodrama. Their article explores theatre's ability to help communities process collective trauma, build resiliency, and facilitate dialogue around politics and what it means to return to a "new normal".

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.864
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.028
GPT teacher head0.217
Teacher spread0.189 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2020
Admission routes1
Has abstractyes

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