When the pyramids were built: Egyptian art of the Old Kingdom
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
The Old Kingdom (about 2650-2150 B.C.E.) was the first golden age of Egyptian culture, a period that determined the form and character of Egyptian art for centuries to come. From the Third through the Sixth Dynasty, not only were the pyramids built in vast construction efforts, but artists working in an array of mediums and techniques-- stone, wood, precious metals, monumental statuary, reliefs, and wall paintings-- created masterpieces that still have the power to move us more than four millennia later. This splendid volume, published to accompany a landmark exhibition organized by The Metropolitan Museum of Art in New York, the Reunion des Musees Nationaux in Paris, and the Royal Ontario Museum in Toronto, brings together 115 Old Kingdom masterworks from museum collections throughout the world. Included are sculptures executed with such an acute observation of musculature and body movement that they brought an unprecedented realism to the rendering of men, women, children, and animals. Several depictions of family groups in particular show the sensitivity with which Old Kingdom artists illuminated human relationships. Individual masterpieces include the monumental statue of Hemiunu, thought to be responsible for the construction of the Great Pyramid at Giza; groups representing the Fourth Dynasty king Menkaure with a queen and various deities; and a unique alabaster statuette showing the Sixth Dynasty queen Ankh-nes-meryre II holding her son, the child king Pepi II, in her lap. In addition, there are delicate relief carvings that provide some of the earliest, most joyful artistic representations of daily life, stunning decorative-art pieces (jars, vases, jewelry, even a musicalinstrument), and a number of rare Old Kingdom wall paintings. The lively text by Dorothea Arnold offers an overview of the history, society, and art of the Old Kingdom and an informative discussion of each of the illustrated works. All of the pieces were newly photographed for the book by Bruce White.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.013 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it