Filiations & connexions = Filiations & connecting lines
Bibliographic record
Abstract
Introductions Filiations Introduction Guillaume Artous-Bouvet: L'Exception dans la prose: Alain Badiou lecteur de Samuel Beckett Valerie Alias: Variations choregraphiques: depuis May B, les choregraphes francais et Beckett Stefano Genetti: Filiations choregraphiques: Winnie selon Bejart et chez les Dupuy Conor Carville: Autonomy and the Everyday: Beckett, Late Modernism and Post-War Visual Art Marie-Laure Delaporte: Samuel Beckett/Bruce Nauman: Un nouveau lieu de creation spatio-temporel Catherine Bouko: Samuel Beckett et la tension homme-machine dans Actor#1 de Kris Verdonck Laure Nee: Le theatre de Valere Novarina: Une partie sans fin ou l'appetit vient en parlant Marie Berne: Beckett en Chine a Paris: Resonance beckettienne chez Gao Xingjian Carla Taban: Transpositions de l'/uvre de Beckett dans l'art contemporain au Quebec, 2000-2010 Ettore Labbate: Quad-Ratures: Visions graphiques dans la poesie de Gabriele Frasca Claudia Desblaches: Les tentatives Beckettiennes du style dans Disgrace de J.M. Coetzee Lea Sinoimeri: Ecritures, resistance et exil: Samuel Beckett et Fatos Kongoli Paul Lawley: Murphy's Beckett: Legacy and Agon Connexions/Connecting Lines Laura Maxia: Samuel Beckett entre abstraction et figuration: Une critique en mouvement (1990-2010) John Bolin: A demented form of the particular: Surrealism, Suite and Eleutheria Matthieu Protin: Beckett, tel qu'en ses lettres enfin Cambridge nous le revele Joana Maso and/et Gabriela Garcia Hubard: Echo-graphie et precipitations Beckettiennes dans Echo's Bones: Ovide et Montale Andrea Oppo: Black Holes: A Philosophical View on Endgame's and Bartleby's Stalemates Maryam Beyad and/et Amir Maniee: Beckett's Drama: Platonic 'Ideas' versus Aristotelian 'Shapes' Frederique Bernier: Beckett emondeur de Proust Free Space Michael Flatt: Too Red a Herring: The Unattainable Self in The Unnamable Elizabeth Effinger: Beckett Posthuman: The Ontopology of The Unnamable Greg Garrard: Endgame: Beckett's Ecological Thought Marc Caplan: Ooftish: Writing, Orality, and the Specter of Yiddish in an Early Poem by Samuel Beckett Abstracts Notes on Contributors
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.096 | 0.003 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".