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Record W6922231098 · doi:10.11575/prism/39901

Memory Stones, Corpse Art, and Digital Media Activism: Multimedia Projects to Address Gender-Based Violence in Canada

2022· other· en· W6922231098 on OpenAlexaboutno aff

Bibliographic record

VenuePRISM (University of Calgary) · 2022
Typeother
Languageen
Field
Topic
Canadian institutionsnot available
Fundersnot available
KeywordsGovernment (linguistics)Subject (documents)NarrativePretextCircumstantial evidenceTheme (computing)

Abstract

fetched live from OpenAlex

Gender-based violence (GBV) media activism is understudied in the Canadian context. This leaves consequential contributions unexplored in the literature on grassroots callouts of rape culture. To add to the field, my research explores five media projects that raise awareness about GBV and challenge problematic discourses about it. I incorporate poststructuralist feminist theories of discourse and theories of “counter-memory” (Bold et al., 2002; Young, n.d.) to explore my cases: namely, the REDress Project by Jaime Black, Disposable Red Woman by Destin Running Rabbit and Iman Bukhari, the Memory Stones Project by Leah Parsons, Farrah Khan’s annually tweeted obituaries for femicide victims, and the documentary Slut or Nut (2018) by Mandi Gray and Kelly Showker. I first outline how North America’s culture is a rape culture, in which troubling narratives about GBV circulate and hamper official interventions. Then, I interrogate the ways the activists above respond with (counter)discourses of their own. My examination of the five interventions above reveals these projects uniquely combine media forms to amplify their messaging, draw citizens of different generations into their anti-violence feminisms, and even ensure—in part through the technical specificities of modern digital technologies—that the activists’ anti-violence projects won’t be forgotten. Further, while each activist seems to strike out on their own to address rape culture, frustrated by society’s lack of attention to it, each activism is in fact strikingly collaborative—not only as feminists work together, but as citizens support advocates, to address GBV. These activisms use everyday objects, such as dresses, rocks, bedsheets, and social media, to call out gendered violence. The everydayness of these items makes GBV advocacy seem “doable,” which is attractive for participants who wish to help, but feel overwhelmed by violence’s gravity. This, along with the activists’ inclusive approach to advocacy—in which they invite people to borrow their ideas, for example, to produce modified projects of their own—spurs engagement. This study also shows that memorializing is an ineluctable part of GBV activism. By shoring up survivors’ and victims’ narratives against erasure, often adapting traditional Western commemorative genres to feminist ends to do so, activists challenge Canada’s masculinist memory-scape and usher in new awareness of gender inequity and related traumas. While the multimedia projects studied in this research are creative, dynamic, and resonant for citizens, however, they still bear the markings of the dominant (patriarchal) discursive context they seek to unsettle.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.056
Threshold uncertainty score0.399

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.005
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.002
Science and technology studies0.0290.010
Scholarly communication0.0080.002
Open science0.0020.006
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0080.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.196
Teacher spread0.180 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes1
Has abstractyes

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