MétaCan
Menu
Back to cohort
Record W6982604774

To investigate the tradition of carnival in the West Indies and its establishment in London as the Notting Hill Carnival. Tracing through the development of the spectacle and how the traditions and styles have adapted the Carnival of today, 2011

2012· dissertation· en· W6982604774 on OpenAlexaboutno aff

Bibliographic record

VenueQueen Margaret University eTheses Repository · 2012
Typedissertation
Languageen
FieldArts and Humanities
TopicPentecostalism and Christianity Studies
Canadian institutionsnot available
Fundersnot available
KeywordsSpectacleIndigenousEmancipationWest indiesCaribbean islandMetisWorld War IIWhite (mutation)
DOInot available

Abstract

fetched live from OpenAlex

The Notting Hill Carnival has been in existence for 53 years. It was started up by Claudia Jones following the racial attacks from groups of youngsters known as Teddy Boys upon the West Indian community. The first shipload of West Indians initially moved to the United Kingdom in 1948, after being misleadingly advertised they would be greatly welcomed and would be able to start and create a new life after World War II. If Claudia Jones and the West Indian community had not stood up and fought for their heritage and culture, Notting Hill Carnival possibly would not have come to exist, or indeed, be as big as it is today.\nNotting Hill Carnival is, therefore, a celebration of West Indian culture and traditions. It is furthermore, an event that evokes a carnival held yearly in Trinidad and Tobago, in the streets of the capital Port-Of-Spain, to celebrate the emancipation of slaves in 1838. Although Carnival plays a big part of Trinidad popular history, it was originally only for the upper classes and the authorities of the country to mark the beginning of Lent.\nThe art of carnival was first taken to the Caribbean back in the 15th century when the first islands were invaded by various European countries. Celebrations were common amongst the indigenous inhabitants of Trinidad to commemorate deaths of loved family and friends. They were, however, on opposite ends of the scale -in flamboyance and magnitude- to what the Carnival would later become.\nThere are five essential components in Notting Hill Carnival each of which makes the day appealing and enjoyable for the spectators. They are: Calypso Singing; Masquerade; Steel Pan Drums; and Static and Mobile Sound Systems. The music from the Sound Systems and the Calypso, all set the level for the high energy filled day of Carnival. The music and singing making up an exotic atmosphere and giving the performers a rhythm to dance and move to. Calypso singing dates back to when slaves -while working in the sugar plantations- were forbidden to speak among themselves thus using this form of singing as a means of communication.\nEven if music plays such a big part in the Carnival, when spectators line the streets they are not less amazed by the size and themes of the showy costumes. In order to engage in the creation of a potential Carnival costume, I have researched the history of both, the West Indian carnival of Trinidad, and its British version Notting Hill Carnival. I have used the information and gathered inspiration from both, to create my own extravagant carnival costume on the theme of Unity.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.255
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0020.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.214
Teacher spread0.183 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2012
Admission routes1
Has abstractyes

Explore more

Same venueQueen Margaret University eTheses RepositorySame topicPentecostalism and Christianity StudiesFrench-language works237,207