Bibliographic record
Abstract
The Weak Force is an international collaboration between artists Matthew Sansom (UK), Andy Thomson (NZ), Paul Cullen (NZ), Chris Braddock (NZ), Eugene Hansen (NZ), Laresa Ksoloff (Aus), Bruce Barber (Canada), and Kim Morgan (Can). It is part of 'Unified Field Theory', a larger arts research project based at Auckland University of Technology. Visit this multimedia artwork to explore connections between gravitational theory, the 100th anniversary of Luigi Russolo’s manifesto The 'Art of Noises', and questions about how and why artists work together. https://vimeo.com/68694810 March 12 - March 28, 2013. Lewis Elton Gallery, University of Surrey, Guildford, UK. This is the fifth collaborative project associated with the UFT (Unified Field Theory) which is an Aukland University of Technology (NZ) Art Research project. The aim of the project is to locate and represent the social and relational as the internal generative dynamic of a collaborative creative work. UFT is an international collaborative arts project that explores how artists work together and why? It examines to what extent an idea is separable from its specific material expression? And what latitude is possible for its material expression (and presentation) to constitute an authentic expression of the idea? Through collaboration with others it is hoped to make palpable the exchange between cultures and its representations - where up and down, east and west, before and after, distance, proximity, language, matter, interpretation and perception are all means and measures of negotiating a relationship to gravity's space-time. Other UFT collaborative initiatives have included commissions for the Horsham Art Festival New#2 Australian Centre for Contemporary Art 2011 curated by Hannah Mathews, The Green Text Glasgow International Art Festival 2012 curated by Kitty Anderson (Common Guild), The Weak Force1 Anna Leowen’s Gallery (Nova Scotia Canada) 2012, Tower Theory Conical Gallery Melbourne 2012 curated by Adrien Allen. The UFT project is without cultural borders and occupies a research field encompassing the globe and infinite possibilities of contemporary practice.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.001 | 0.001 |
| Open science | 0.007 | 0.002 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.007 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".