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Record W6986969312

Review of <i>How Should I Read These?: Native Women Writersin Canada</i> By Helen Hoy

2003· article· en· W6986969312 on OpenAlexaffabout

Bibliographic record

VenueLincoln (University of Nebraska) · 2003
Typearticle
Languageen
FieldEngineering
TopicTribology and Wear Analysis
Canadian institutionsUniversity of Northern British Columbia
Fundersnot available
KeywordsHonourReading (process)Argument (complex analysis)AppropriationIdentity (music)Cultural appropriationCITES
DOInot available

Abstract

fetched live from OpenAlex

Helen Hoy opens with a quotation from Eden Robinson's short story "Queen of the North" in which a non-Native asks, "How should I eat these?" The response is, "With your mouth, asshole." Hoy poses challenges of reading and understanding Jeannette Armstrong's Slash, Maria Campbell and Linda Griffith's The Book of Jessica, Ruby Slipperjack's Honour the Sun, Beatrice Culleton's In Search of April Raintree, Beverly Hungry Walf's The Ways of My Grandmothers, Lee Maracle's Ravensong, and Eden Robinson's Traplines. She articulates her position carefully, presenting a scholarly argument that frequently cites the critical and theoretical perspectives of her contemporaries. Interspersed with this critical positioning, she offers personal anecdotes and narrative, making her book read like an extended conversation. Her approach, as indicated by the interrogative in her title, is not to take any single position, but to pose questions and describe her process and the challenges she has faced reading, teaching, and thinking about these seven works. Slash, for instance, teaches Hoy to confront her own "racism and cultural arrogance" and leads her to discover that the text offers a strategy for how readers might read it from "the inside out." Her discussion of The Book of Jessica examines issues of cultural appropriation and the challenges of collaboration, noting how cooperation quickly dissolves into co-optation. Honour the Sun, in ways different from Slash, suggests means that readers might use to learn to listen to silence. She considers how Culleton raises questions of authenticity and identity throughout In Search of April Raintree. Identity is not static, but dynamic; the construction of self is a process of on-going negotiation, multiple affiliations, and positionings. Hoy looks at how Beverly Hungry Wolf, in The Ways of My Grandmothers, further challenges Eurocentric notions of individuals and individualism by creating an innovative form of life-writing that is not about the self, but foregrounds relations and relationships. Hungry Wolf offers readers "more than just a genealogical and tribal positioning"; she creates a "cumulative layering of relational mappings." In so doing, she does not focus on herself or her story, but "locates herself primarily as the repository of what others have to tell," thereby challenging the "dismissal or erasure of Blackfoot women's lives." According to Hoy, Maracle's Ravensong offers opportunities for readers to re-think their assumptions and "repositions both white and Native reader" so that the "Native reader is the one with full citizenship." Finally, in considering Robinson's Traplines, Hoy discusses the trap that readers and critics fall into when they categorize or read these writers solely as Native authors and consider their works only in a colonial context.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.012
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.081
Threshold uncertainty score0.379

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.012
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0020.000
Bibliometrics0.0080.018
Science and technology studies0.0080.006
Scholarly communication0.0110.003
Open science0.0030.002
Research integrity0.0030.003
Insufficient payload (model declined to judge)0.0060.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.008
GPT teacher head0.170
Teacher spread0.162 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2003
Admission routes2
Has abstractyes

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