Bibliographic record
Abstract
The Pleasant Nights. By Giovan Francesco Straparola, vol. 1. Edited and with an Introduction by Donald Beecher. Toronto: University of Toronto Press, 2012. 764 pp. (Reviewed By Licia Masoni, University of Bologna) Im Reich der Wünsche. Edited by Shawn C. Jarvis. Munich: C. H. Beck, 2012. 366 pp. (Reviewed By Julie Koehler, Wayne State University) The Donkey Lady and Other Tales from the Arabian Gulf. Edited by Patty Paine, Jesse Ulmer, and Michael Hersrud. Highclere, UK: Berkshire Academic Press, 2013. 264 pp. (Reviewed By Margaret Mills, Ohio State University) Folklore and Nationalism in Europe During the Long Nineteenth Century. Edited by Timothy Baycroft and David Hopkin. Leiden: Brill, 2012. 423 pp. (Reviewed By Jack Zipes, University of Minnesota) Transgressive Tales: Queering the Grimms. Edited by Kay Turner and Pauline Greenhill. Detroit: Wayne State University Press, 2012. 358 pp. (Reviewed By Helen Miriam Bendix, Bard College | Regina F. Bendix, University of Göttingen) Reading, Translating, Rewriting: Angela Carter’s Translational Poetics. By Martine Hennard Dutheil de la Rochère. Detroit: Wayne State University Press, 2013. 374 pp. (Reviewed By Michelle Ryan-Sautour, Université d’Angers, France) Running with the Fairies: Towards a Transpersonal Anthropology of Religion. By Dennis Gaffin. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2012. 293 pp. (Reviewed By Jessica Jernigan, Central Michigan University) Féeries: Études sur le conte merveilleux XVIIe–XIXe siècle. Vol. 7, Le Conte et la Fable. Edited by Aurelia and Jean-Paul Gaillard Sermain. 2010. 264 pp., Féeries: Études sur le conte merveilleux XVIIe–XIXe siècle. Vol. 8, Le merveilleux français à travers les siècles, les langues, les continents. Edited by Jean Mainil. 2011. 258 pp. (Reviewed By Marianthi Kaplanoglou, University of Athens, Greece) Blancanieves. Written and directed by Pablo Berger. Performed by Sofia Oria, Macareena Garcia, Daniel Giminez Cacho, and Maribel Verdu. Cohen Media Group, 2013. Film. (Reviewed By Jan Susina, Illinois State University) Beauty and the Beast. Directed by Phelan McDermott. Featuring Mat Fraser and Julie Atlas Muz. Co-produced by ONEOFUS and Improbable. The Young Vic Theatre, London, December 4–11, 2013. Performance. (Reviewed By Lili Sarnyai, University of London) Grimm Girls: Picturing the Princess. The Otter Gallery, University of Chichester, Chichester, November 23, 2013–January 26, 2014. Exhibit. (Reviewed By Joanna Coleman, University of Chichester) WS. By Paul McCarthy. Park Avenue Armory, New York, June 19–August 4, 2013. Exhibit. (Reviewed By Jennifer Orme, Review Editor | Kay Turner, New York University | Taylor Black | Rebecca LeVine | Kiera Bono | Melissa West | Cassidy Hollinger)
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.005 |
| Meta-epidemiology (narrow) | 0.002 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.003 | 0.003 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.007 | 0.004 |
| Open science | 0.002 | 0.003 |
| Research integrity | 0.003 | 0.003 |
| Insufficient payload (model declined to judge) | 0.353 | 0.330 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".